55
edits
Changes
Jump to navigation
Jump to search
Line 3:
Line 3: − +
→Career pre-Cold War: clean up snetences added link to Christian spirituals
==Career pre-Cold War==
==Career pre-Cold War==
After graduating with top academic and athletic honors from Rutgers University in 1919, Robeson attended and graduated from Columbia Law school. Racism at the time limited his options in the field of law so he drifted into entertainment.
After graduating with top academic and athletic honors from Rutgers University in 1919, Robeson attended and graduated from Columbia Law school. Racism at the time limited his options in the field of law so he drifted into entertainment.
In the 1920s, Robeson found fame as an actor and singing star of both stage and radio with his Bass voice and commanding presence. He was one of the few true basses in American music, with his beautiful and powerful voice descending as low as C below the bass clef. In addition to his stage performances, his renditions of old spirituals were acclaimed for there beauty in singing and Christian lyricism. Robeson and his accompanist and arranger Lawrence Brown were the first to bring them to the concert stage. Paul Robeson also recorded over a hundred songs, making him first black actor to attempt to play roles which had dignity and stressed African pride.
In the 1920s, Robeson found fame as an actor and singing star of both stage and radio with his Bass voice and commanding presence. He was one of the few true basses in American music, with his beautiful and powerful voice descending as low as C below the bass clef. In addition to his stage performances, his renditions of old negro [[spirituals]] were acclaimed for there beauty in singing and Christian lyricism. Robeson and his accompanist and arranger Lawrence Brown were the first to bring them to the concert stage. Paul Robeson recorded over a hundred songs. He also demanded that many of his films defy stereotypes of blacks, making him first black actor to attempt to play roles which had dignity and stressed African pride.
His first roles were in 1922 playing Simon in ''Simon the Cyrenian'' at the Harlem YMCA and Jim in ''Taboo'' at the Sam Harris Theater in Harlem. ''Taboo'' was later re-named ''Vodoo''<!--"Voodoo"?-->. He was acclaimed for his 1924 performance in the title role of Eugene O'Neill's ''The Emperor Jones'' in 1920.
His first roles were in 1922 playing Simon in ''Simon the Cyrenian'' at the Harlem YMCA and Jim in ''Taboo'' at the Sam Harris Theater in Harlem. ''Taboo'' was later re-named ''Vodoo''<!--"Voodoo"?-->. He was acclaimed for his 1924 performance in the title role of Eugene O'Neill's ''The Emperor Jones'' in 1920.