Changes

One long-term project was creating a network of printers, especially using his own apprentices who would move to other cities to establish themselves. The network of allied printer-publishers extended from New England to the West Indies and lasted from 1729 to the 1790s. It composed his relatives and business associates. It financed printers, played a vital role in developing American journalism, and influenced American morals and ethics by widely disseminating Franklin's ideology of virtue.  

One long-term project was creating a network of printers, especially using his own apprentices who would move to other cities to establish themselves. The network of allied printer-publishers extended from New England to the West Indies and lasted from 1729 to the 1790s. It composed his relatives and business associates. It financed printers, played a vital role in developing American journalism, and influenced American morals and ethics by widely disseminating Franklin's ideology of virtue.  

Upon finding apprentices whose diligence, skill, and character impressed him, Franklin would make them partners, often setting them up in printing businesses of their own. Subsequently, he would use them to expand his business associations, and as deputy postmaster-general for North America he would set up his associates as postmasters in their local areas. Postmasters were the first to receive news and could communicate it quickly to Franklin through their free use of the postal system. By building and using his communications network Franklin was able to both keep abreast of important developments in the colonies and build a network of supporters and admirers who influenced public opinion in their own cities.  As the revolutionary era began, Franklin opposed colonial independence from Britain. Network infighting ensued, pitting Loyalist printers Thomas Wharton and Joseph Galloway against pro-independence publisher William Goddard, who created a private system to deliver his papers that became a model for the US Postal Service. The Continental Congress later appointed Franklin postmaster general, and he, not Goddard, received credit for America's postal system. In 1768, reacting to the Stamp and Townshend acts, Franklin became an activist in the Patriot cause. Many network printers, such as David Hall and James Holt, followed suit, as the colonists polarized between Patriots and Loyalists. As revolt approached, network newspapers became influential foes of Britain. War, turmoil, and Franklin's diplomatic absence while in France caused the network eventually to dissolve, and be replaced by networks of party newspapers.<ref> Ralph Frasca,  "'The Glorious Publick Virtue so Predominant in Our Rising Country': Benjamin Franklin's Printing Network During the Revolutionary Era." ''American Journalism'' 1996 13(1): 21-37. 0882-1127; Frasca, ''Benjamin Franklin's Printing Network: Disseminating Virtue in Early America'' (2006) </ref>  

Upon finding apprentices whose diligence, skill, and character impressed him, Franklin would make them partners, often setting them up in printing businesses of their own. Subsequently, he would use them to expand his business associations, and as deputy postmaster-general for North America he would set up his associates as postmasters in their local areas. Postmasters were the first to receive news and could communicate it quickly to Franklin through their free use of the postal system. By building and using his communications network Franklin was able to both keep abreast of important developments in the colonies and build a network of supporters and admirers who influenced public opinion in their own cities.  As the revolutionary era began, Franklin opposed colonial independence from Britain. Network infighting ensued, pitting Loyalist printers Thomas Wharton and Joseph Galloway against pro-independence publisher William Goddard, who created a private system to deliver his papers that became a model for the US Postal Service. The Continental Congress later appointed Franklin postmaster general, and he, not Goddard, received credit for America's postal system. In 1768, reacting to the Stamp and Townshend acts, Franklin became an activist in the Patriot cause. Many network printers, such as David Hall and James Holt, followed suit, as the colonists polarized between Patriots and Loyalists. As revolt approached, network newspapers became influential foes of Britain. War, turmoil, and Franklin's diplomatic absence while in France caused the network eventually to dissolve, and be replaced by networks of party newspapers.<ref> Ralph Frasca,  "'The Glorious Publick Virtue so Predominant in Our Rising Country': Benjamin Franklin's Printing Network During the Revolutionary Era." ''American Journalism'' 1996 13(1): 21-37. 0882-1127; Frasca, ''Benjamin Franklin's Printing Network: Disseminating Virtue in Early America'' (2006) [http://www.questia.com/read/111742668?title=Benjamin%20Franklin's%20Printing%20Network%3a%20Disseminating%20Virtue%20in%20Early%20America online edition]</ref>  

==Marriage==

==Marriage==

===Join or Die===

===Join or Die===

[[Image:Join-die.jpg|thumb|290px|left]]

[[Image:Join-die.jpg|thumb|290px|left]]

The famous cartoon entitled "Join, or Die," printed on 9 May 1754 in Franklin's ''Pennsylvania Gazette'', shows a sliced up rattlesnake that forms a map of the colonies.  It is impotent unless it joins together, as nature clearly intended.  Rattlesnakes--powerful and dangerous creatures that were not found in Britain--were often used to represent America.  Georgia, the newest colony,  is missing, as is Delaware (then part of Pennsylvania). While the idea behind the illustration was Franklin's, historians have not discovered who did the actual engraving. In form the illustration follows the plan of an emblem book illustration, with a motto, a symbolic picture, and an explanatory text; Franklin even referred to it in correspondence as an "emblem."  Franklin was responsible for many visual creations, such as cartoons, designs for flags and paper money,

The famous cartoon entitled "Join, or Die," printed on 9 May 1754 in Franklin's ''Pennsylvania Gazette'', shows a sliced up rattlesnake that forms a map of the colonies.  It is impotent unless it joins together, as nature clearly intended.  Rattlesnakes--powerful and dangerous creatures that were not found in Britain--were often used to represent America.  Georgia, the newest colony,  is missing, as is Delaware (then part of Pennsylvania). The cartoon alludes to an old myth that a snake that had been cut into pieces would come back to life if the sections were reassembled before sunset,  Franklin based his cartoon on a 17th-century French emblem book by Nicolas Verrien which includes a snake divided into two parts with the motto: 'Se rejoindre ou mourir' ('Join or die').

emblems and devices. He possessed an extraordinary knowledge of symbols and heraldry.  The snake image may be a composite of those found in Mark Catesby's ''The Natural History of Carolina, Florida, and the Bahama Islands'' (1731-43). The iconic image of national unity became widespread in political illustrations concerning the [[Stamp Act]] of 1765, the American Revolution, and both the Union and Confederate causes in the American Civil War.<ref>Karen Severud Cook, "Benjamin Franklin and the Snake that would not Die," ''British Library Journal'' 1996 22 (1): 88-112. 0305-5167 </ref>

 

 

While the idea behind the illustration was Franklin's, historians have not discovered who did the actual engraving. In form the illustration follows the plan of an emblem book illustration, with a motto, a symbolic picture, and an explanatory text; Franklin even referred to it in correspondence as an "emblem."  Franklin was responsible for many visual creations, such as cartoons, designs for flags and paper money,

emblems and devices. He possessed an extraordinary knowledge of symbols and heraldry.  The snake image may be a composite of those found in Mark Catesby's ''The Natural History of Carolina, Florida, and the Bahama Islands'' (1731-43). The iconic image of national unity became widespread in political illustrations concerning the [[Stamp Act]] of 1765, the American Revolution, and both the Union and Confederate causes in the American Civil War.<ref>Karen Severud Cook, "Benjamin Franklin and the Snake that would not Die," ''British Library Journal'' 1996 22 (1): 88-112. 0305-5167; Mark Bryant, "The First American Political Cartoon," ''History Today'' v. 57#12 (December 2007) pp 58+. [http://www.questia.com/read/5024806593?title=The%20First%20American%20Political%20Cartoon online edition]</ref>

==Autobiography==

==Autobiography==