| | His many novels included ''The Puppet Masters,'' ''Starship Troopers,'' ''The Moon is a Harsh Mistress,'' and ''Stranger in a Strange Land.'' He also wrote numerous novels for young people, often referred to as "Heinlein juveniles", including ''Double Star'', ''Citizen of the Galaxy'' and ''Star Beast''. (The fact they are written for young people does not mean that they only appeal to the young -- like many of the best works written for teenagers, they can be read, and are read, by adults.) Heinlein also authored many short stories, including "And He Built a Crooked House" and "All You Zombies." | | His many novels included ''The Puppet Masters,'' ''Starship Troopers,'' ''The Moon is a Harsh Mistress,'' and ''Stranger in a Strange Land.'' He also wrote numerous novels for young people, often referred to as "Heinlein juveniles", including ''Double Star'', ''Citizen of the Galaxy'' and ''Star Beast''. (The fact they are written for young people does not mean that they only appeal to the young -- like many of the best works written for teenagers, they can be read, and are read, by adults.) Heinlein also authored many short stories, including "And He Built a Crooked House" and "All You Zombies." |
| − | His politics defied categorization. They were broadly libertarian. He was a strong supporter of the military, as shown in ''Starship Troopers'' and other works, and was an ardent opponent of [[Communism]], demonstrated in an essay about his vacation in Soviet Russie, but also espoused the sexual revolution of the 1960s, as strongly shown in many of his later works, and alluded to in earlier ones, and was very skeptical of organized religion, especially [[fundamentalism]], demonstrated in works like ''Job: A Comedy of Justice'' and the novella ''Revolt in 2100''. | + | His politics defied categorization. They were broadly libertarian. He was a strong supporter of the military, as shown in ''Starship Troopers'' and other works, and was an ardent opponent of [[Communism]], demonstrated in an essay about his vacation in Soviet Russia, but also espoused the sexual revolution of the 1960s, as strongly shown in many of his later works, and alluded to in earlier ones, and was very skeptical of organized religion, especially [[fundamentalism]], demonstrated in works like ''Job: A Comedy of Justice'' and the novella ''Revolt in 2100''. |