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In music, the greatest composer in the history of the world burst onto the scene in the early 1800s:  Ludwig van Beethoven (1770-1827).  He revolutionized instrumental music and took it to new heights never before thought possible.  His achievement was all the more remarkable because he became totally deaf before the age of 40, and before he composed his greatest works.  A German like most great composers, Beethoven’s works capture an intensity and expressive emotion that surpassed even vocal music.  It was Beethoven’s great work that led an English critic to declare, “All arts aspire to the condition of music.”
 
In music, the greatest composer in the history of the world burst onto the scene in the early 1800s:  Ludwig van Beethoven (1770-1827).  He revolutionized instrumental music and took it to new heights never before thought possible.  His achievement was all the more remarkable because he became totally deaf before the age of 40, and before he composed his greatest works.  A German like most great composers, Beethoven’s works capture an intensity and expressive emotion that surpassed even vocal music.  It was Beethoven’s great work that led an English critic to declare, “All arts aspire to the condition of music.”
 
[[Image:Monet Impressionsunrise.jpg|right|thumb|280px|Impression Sunrise (looks better in its real detail and its full color!)]]
 
[[Image:Monet Impressionsunrise.jpg|right|thumb|280px|Impression Sunrise (looks better in its real detail and its full color!)]]
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In the late 1800s, impressionism moved [[painting]] further away from its traditions.  It began in France and continued into the 1900s.  The chief feature of impressionism was to paint the transient effects of color and light, and attempt to capture a fleeting image or “impression”.  The feeling of an image was emphasized more than the detail (see right).  Major impressionistic painters included Edouard Manet, Claude Monet, Pierre Auguste Renoir and Paul Cezanne.  Manet, Monet, Renoir and others began emphasizing color and lighting as early as the late 1860s.  They often painted landscapes, and insisted on remaining outdoors to until completion of the work, unlike predecessors who preferred to complete such work in the studio.  Renoir, for example, is known for brilliance of color, intimate charm in his subjects, and a harmony of his lines.   
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In the late 1800s, impressionism moved [[painting]] further away from its traditions.  It began in France and continued into the 1900s.  The chief feature of impressionism was to paint the transient effects of color and light, and attempt to capture a fleeting image or “impression”.  The feeling of an image was emphasized more than the detail (see right).  Major impressionistic painters included Edouard Manet, Claude Monet, Pierre Auguste Renoir and Paul Cezanne.  Manet, Monet, Renoir and others began emphasizing color and lighting as early as the late 1860s.  They often painted landscapes, and insisted on remaining outdoors until completion of the work, unlike predecessors who preferred to complete such work in the studio.  Renoir, for example, is known for brilliance of color, intimate charm in his subjects, and a harmony of his lines.   
    
Though the impressionistic movement in painting dissolved by the mid-1880s, it changed the path of art forever in its rejection of traditional Western approaches to subject matter.  The artist Vincent van Gogh, for example, was greatly influenced by the impressionists.  There was a musical impressionism also, which emphasized mood and understatement and reflected its composers’ view that pure sound (like color) is an end to itself.
 
Though the impressionistic movement in painting dissolved by the mid-1880s, it changed the path of art forever in its rejection of traditional Western approaches to subject matter.  The artist Vincent van Gogh, for example, was greatly influenced by the impressionists.  There was a musical impressionism also, which emphasized mood and understatement and reflected its composers’ view that pure sound (like color) is an end to itself.
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Realism was the new form of literature that told the dark side of the industrial revolution: the overcrowded, filthy conditions in which many workers struggled.
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[[Category:World History lectures]]
 
[[Category:World History lectures]]
 
{{DEFAULTSORT:World History Lecture 09}}
 
{{DEFAULTSORT:World History Lecture 09}}
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