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It's my understanding that Chopin's Op. 10 was the first impetus for the "Concert Etude" genre, but I'm also sourceless here. You also left out the etudes of Rachmaninoff and Scriabin, which one hears actually more often than the Debussy. I'll go ahead and change that sentence myself. All the best.[[User:JDWpianist|JDWpianist]] 18:45, 25 March 2009 (EDT)
It's my understanding that Chopin's Op. 10 was the first impetus for the "Concert Etude" genre, but I'm also sourceless here. You also left out the etudes of Rachmaninoff and Scriabin, which one hears actually more often than the Debussy. I'll go ahead and change that sentence myself. All the best.[[User:JDWpianist|JDWpianist]] 18:45, 25 March 2009 (EDT)
Yeah...I'll accept two out of three. I forgot Rach's ''Etudes-Tableaux'', (no excuse why, I hear 'em often enough) and was not aware of the importance of Scriabin's. However concerning Liszt ; Grove says: "The origins of the concert study, intended for private study as for private instruction can be traced be traced back to Franz Liszt’s ''Études en 12 exercises'' in about 1827." Cheers [[User:AlanE|AlanE]] 01:20, 27 March 2009 (EDT)