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Dozens of Shostakovich's friends and confidants who had previously emigrated to the West, such as Mstislav Rostropovich and the composer's own son, Maxim, were quick to defend the statements of ''Testimony'' as being very characteristic of how he talked and believed in private. Their recollections have been recorded in Allan B. Ho and Dmitri Feofanov's ''Shostakovich Reconsidered'', published in 1998, and have more or less settled the question of ''Testimony's'' veracity for most scholars. Among Western scholars, the faction that refuses to acknowledge the book's credibility as a source now consists primarily of Fay, Richard Taruskin, and Malcolm Harrick Brown.
 
Dozens of Shostakovich's friends and confidants who had previously emigrated to the West, such as Mstislav Rostropovich and the composer's own son, Maxim, were quick to defend the statements of ''Testimony'' as being very characteristic of how he talked and believed in private. Their recollections have been recorded in Allan B. Ho and Dmitri Feofanov's ''Shostakovich Reconsidered'', published in 1998, and have more or less settled the question of ''Testimony's'' veracity for most scholars. Among Western scholars, the faction that refuses to acknowledge the book's credibility as a source now consists primarily of Fay, Richard Taruskin, and Malcolm Harrick Brown.
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==Notable Works==
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<big>Symphonies</big>
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:Symphony #1 in F Minor, Op. 10 (1924)
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:Symphony #5 in D Minor, Op. 47 (1937)
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:Symphony #7 in C Major, Op. 65 "Leningrad" (1941)
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:Symphony #9 in E-flat Major, Op. 70 (1945)
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:Symphony #10 in E Minor, Op. 93 (1953)
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:Symphony #13 in B-flat Minor "Babi Yar," for bass, bass chorus, and orchestra (1962)
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:Symphony #14 for soprano, bass, string orchestra, and percussion, Op. 135 (1969)
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:Symphony #15 in A Major, Op. 141 (1971)
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<big>Other Orchestral</big>
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:Piano Concerto #1 in C Minor, Op. 35 (1933)
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:Violin Concerto #1 in A Minor, Op. 77 (1947-48)
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:Cello Concerto #1 in E-flat Major, Op. 107 (1959)
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<big>Chamber Music</big>
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:Sonata in D Minor for Cello and Piano, Op. 40 (1934)
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:Piano Quintet in G Minor, Op. 57 (1940)
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:Piano Trio #2 in E Minor, Op. 67 (1944)
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:String Quartet #4 in D Major, Op. 83 (1949)
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:String Quartet #7 in F-sharp Minor, Op. 108 (1960)
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:String Quartet #8 in C Minor, Op. 110 (1960)
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:String Quartet #10 in A-flat Major, Op. 118 (1964)
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:String Quartet #12 in D-flat Major, Op. 133 (1968)
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:Sonata for Violin and Piano, Op. 134 (1968)
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:String Quartet #15 in E-flat Minor, Op. 144 (1974)
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:Sonata for Viola and Piano, Op. 147 (1975)
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<big>Song Cycles</big>
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:''From Jewish Folk Poetry'', for soprano, contralto, tenor, and piano (also orchetrated by the composer), Op. 79 (1948)
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:Suite on verses by Michaelangelo Buonarroti for bass and piano/orchestra, Op.145/145a (1974/75)
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<big>Piano Solo</big>
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:''Three Fantastic Dances'' for piano, Op. 5 (1922)
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:Twenty-Four Preludes for piano, Op. 34 (1932-33)
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:Piano Sonata #2 in B Minor, Op. 61 (1943)
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:Twenty-Four Preludes and Fugues, Op. 87 (1950-51)
    
==References==
 
==References==
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