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The 1950s was a time of intense interest in accounts of mind control, and the term "brainwashing" was coined in 1950. At a time of high Cold War tension, the book ''I Was Stalin's Prisoner'' (1952), a first-person account of US executive Robert A. Vogeler's experiences with [[mind control]] as a political prisoner in Hungary, produced derivative fiction. ''Brain-Washing in Red China'' (1951) and other writings by Edward Hunter proclaimed the danger and potentially devastating possibilities of brainwashing. Inaccurate reports to the effect that numerous American POW's had defected to the Chinese in Korea caused alarm; in fact there were only a few.  Richard Condon's novel ''The Manchurian Candidate'' (1959), the basis for this film tapped into public fascination and concern over mind-control techniques. Novels by William Burroughs, A. E. van Vogt, and Francis Pollini all incorporate brainwashing themes. By the time of Walter Wager's ''Telefon'' (1975), the subject of brainwashing techniques had become passé.<ref>David Seed, "Brainwashing And Cold War Demonology." ''Prospects'' 1997 22: 535-573.</ref>

The 1950s was a time of intense interest in accounts of mind control, and the term "brainwashing" was coined in 1950. At a time of high Cold War tension, the book ''I Was Stalin's Prisoner'' (1952), a first-person account of US executive Robert A. Vogeler's experiences with [[mind control]] as a political prisoner in Hungary, produced derivative fiction. ''Brain-Washing in Red China'' (1951) and other writings by Edward Hunter proclaimed the danger and potentially devastating possibilities of brainwashing. Inaccurate reports to the effect that numerous American POW's had defected to the Chinese in Korea caused alarm; in fact there were only a few.  Richard Condon's novel ''The Manchurian Candidate'' (1959), the basis for this film tapped into public fascination and concern over mind-control techniques. Novels by William Burroughs, A. E. van Vogt, and Francis Pollini all incorporate brainwashing themes. By the time of Walter Wager's ''Telefon'' (1975), the subject of brainwashing techniques had become passé.<ref>David Seed, "Brainwashing And Cold War Demonology." ''Prospects'' 1997 22: 535-573.</ref>

Some scholars have concluded there was no such brainwashing but it was a potent fear at the time. The film picks up and elaborates on this fear, and suggests that a "part light-induced, part drug-induced" technique would be effective. The 1954 film "Prisoner of War" starring [[Ronard Reagan]] portrays brainwashing POW's in Korea.

Some scholars have concluded there was no such brainwashing but it was a potent fear at the time. The film picks up and elaborates on this fear, and suggests that a "part light-induced, part drug-induced" technique would be effective. The 1954 film "Prisoner of War" starring [[Ronald Reagan]] portrays brainwashing POW's in Korea.

At the time of its release in 1962, the film defied plot analysis or genre categorization, but the film's subject of US soldiers brainwashed by Chinese forces during the Korean War found particular resonance in US popular culture. Beginning in 1952, popular journalists frightened and titillated their readers with sometimes dubious tales of Communist mind-control techniques.  

At the time of its release in 1962, the film defied plot analysis or genre categorization, but the film's subject of US soldiers brainwashed by Chinese forces during the Korean War found particular resonance in US popular culture. Beginning in 1952, popular journalists frightened and titillated their readers with sometimes dubious tales of Communist mind-control techniques.