Changes

:::::As I said before, I am a student of Theatre. I am familiar with the varying definition of comedy, especially in regards to the history of the playwright. On the whole being designated a "comedy" as laid down in Aristotle's "Poetics" only meant that it was not a tragedy: meaning that the protagonist did not ultimately fall victim to his tragic flaw or hamartia as is necessary in a tragedy. Indeed, a comedy in the theatrical sense is not by necessarily "funny", however, a play intended to be funny would still fall under the category of comedy. What I provide is not only a comedy in the classical sense, but a comedy explicitly intended to be funny and, furthermore, primarily through the use of wit and situation rather than explicitly through vulgarity and slapstick. [http://www.perseus.tufts.edu/hopper/text.jsp?doc=Perseus%3Atext%3A1999.02.0101%3Aact%3Dintro%3Ascene%3Dsubject here is a text, translated from it's original latin] that I managed to find. The first lines of act one, scene one have the character Peniculus explaining that his friends call him "The Sponge" because of his enormous apatite and ability to seemingly absorb food and clean a table. This becomes a bit of a running gag with lines such as between one of the characters and her servant when she sends the servant with some money to get food. She says basically "We need food for three people" to which the servant replies "Who's eating" when he learns that the list of three includes Peniculus he states "So I'll need enough money to get food for ten people then." This is just one example of a "gag" within the script. Much of the humor comes from the characters momentary on the action which is given directly to the audience, the relationship between Menaechmus and his wife, for instance is another source of humor reminiscent of "The Honeymooners". At one point Menaechmus tells his consort that he spent a fairly large amount of money on some clothes for his wife, prompting Peniculus to say sadly to the audience "And that's good money he'll never see again...". These are just some examples from the first act. The overall plot of the show, as I said before, involves what has become one of the most prevalent comedic devices of mistaken identity to drive the plot.  

:::::As I said before, I am a student of Theatre. I am familiar with the varying definition of comedy, especially in regards to the history of the playwright. On the whole being designated a "comedy" as laid down in Aristotle's "Poetics" only meant that it was not a tragedy: meaning that the protagonist did not ultimately fall victim to his tragic flaw or hamartia as is necessary in a tragedy. Indeed, a comedy in the theatrical sense is not by necessarily "funny", however, a play intended to be funny would still fall under the category of comedy. What I provide is not only a comedy in the classical sense, but a comedy explicitly intended to be funny and, furthermore, primarily through the use of wit and situation rather than explicitly through vulgarity and slapstick. [http://www.perseus.tufts.edu/hopper/text.jsp?doc=Perseus%3Atext%3A1999.02.0101%3Aact%3Dintro%3Ascene%3Dsubject here is a text, translated from it's original latin] that I managed to find. The first lines of act one, scene one have the character Peniculus explaining that his friends call him "The Sponge" because of his enormous apatite and ability to seemingly absorb food and clean a table. This becomes a bit of a running gag with lines such as between one of the characters and her servant when she sends the servant with some money to get food. She says basically "We need food for three people" to which the servant replies "Who's eating" when he learns that the list of three includes Peniculus he states "So I'll need enough money to get food for ten people then." This is just one example of a "gag" within the script. Much of the humor comes from the characters momentary on the action which is given directly to the audience, the relationship between Menaechmus and his wife, for instance is another source of humor reminiscent of "The Honeymooners". At one point Menaechmus tells his consort that he spent a fairly large amount of money on some clothes for his wife, prompting Peniculus to say sadly to the audience "And that's good money he'll never see again...". These are just some examples from the first act. The overall plot of the show, as I said before, involves what has become one of the most prevalent comedic devices of mistaken identity to drive the plot.  

:::::The notes provided in the translation occasionally point out various terms that while not readily apparent "where meant to make the audience laugh". Plautus also helped to pioneer the various comedic stereotypes which would eventually become the basis for the Italian Comedia Del Arte and later would be exploited by Shakespeare and persist even today. These include: The crafty servant, The pompous, ego-inflated general, the buffoonish erudite, the elderly lech, the idiotic lover, and others. Most of these archetypes can be seen in "The Taming of the Shrew" as a matter of fact, relatively unchanged from the base of their inception.  I could go further into a discussion regarding this play if you wish, though we are quickly approaching the level of research paper and most of the info can be found in the link I provided above. I believe it meets all of the criteria for being considered true humor. It is not based around physical slapstick or vulgarity, it's intention is to make the audience laugh, it utilizes an acknowledged comedic device as a plot driver, and it is verified as predating Christianity (Plautus is believed to have died around 184 B.C.). Again, if this one play is insufficient, then I could provide more evidence. I apologize for the length of this post, but I do love disusing Theatre and while brevity may be the soul of wit, I am not claiming to be witty...just that this play is witty :)--[[User:NicholasT|NicholasT]] 14:01, 29 April 2009 (EDT)

:::::The notes provided in the translation occasionally point out various terms that while not readily apparent "where meant to make the audience laugh". Plautus also helped to pioneer the various comedic stereotypes which would eventually become the basis for the Italian Comedia Del Arte and later would be exploited by Shakespeare and persist even today. These include: The crafty servant, The pompous, ego-inflated general, the buffoonish erudite, the elderly lech, the idiotic lover, and others. Most of these archetypes can be seen in "The Taming of the Shrew" as a matter of fact, relatively unchanged from the base of their inception.  I could go further into a discussion regarding this play if you wish, though we are quickly approaching the level of research paper and most of the info can be found in the link I provided above. I believe it meets all of the criteria for being considered true humor. It is not based around physical slapstick or vulgarity, it's intention is to make the audience laugh, it utilizes an acknowledged comedic device as a plot driver, and it is verified as predating Christianity (Plautus is believed to have died around 184 B.C.). Again, if this one play is insufficient, then I could provide more evidence. I apologize for the length of this post, but I do love discusing Theatre and while brevity may be the soul of wit, I am not claiming to be witty...just that this play is witty :)--[[User:NicholasT|NicholasT]] 14:01, 29 April 2009 (EDT)

==Who was right - Catholics or Protestants?==

==Who was right - Catholics or Protestants?==