| | Anderson (2005) shows that after the Civil War a wave of nostalgia created an image of the plantation South that endured for a century, most notably typified in the novel and movie, "Gone with the Wind" (1939). Memoirs and fiction by former white plantation residents indicate "that nostalgia occurs most forcibly after a profound split in remembered events and experiences." These literary strategies "reveal a potent change in elite white southern consciousness after the Civil War." By 1900, plantation reminiscences that described the Old South as a place of wealth, self-sufficiency, honor, hospitality, and happy master-slave relationships had gained regional, national, and international popularity. The nostalgic memories of Southerners helped them triumph over defeat and create a sense of continuity with the splintered past. | | Anderson (2005) shows that after the Civil War a wave of nostalgia created an image of the plantation South that endured for a century, most notably typified in the novel and movie, "Gone with the Wind" (1939). Memoirs and fiction by former white plantation residents indicate "that nostalgia occurs most forcibly after a profound split in remembered events and experiences." These literary strategies "reveal a potent change in elite white southern consciousness after the Civil War." By 1900, plantation reminiscences that described the Old South as a place of wealth, self-sufficiency, honor, hospitality, and happy master-slave relationships had gained regional, national, and international popularity. The nostalgic memories of Southerners helped them triumph over defeat and create a sense of continuity with the splintered past. |