| | Columbus has remained since the quest for independence a "malleable and durable American symbol." Although ignored during most of the colonial period, he was, during the 1760s-1890s, interpreted and reinterpreted to fit our national character and used to mold a collective identity. This progress can be traced over three periods: as Columbia, "an allegorical figure symbolizing liberty"; as Columbus, an individual masculine explorer who sanctioned American Manifest Destiny; and as Columbianism, a late-19th-century patriotic symbol involving "cultural and political hegemony and various ethnic and religious identities." During this evolution of "discovering" Columbus, a significant amount of material culture surfaced in American art, monuments, coinage, and in various civic events. This led to a multiple set of uses of Columbus as a model or official icon by various organizations to help shape their identities. The discovery of Columbus also grew as new methods of communication and the development of various media in the visual arts replaced the oral tradition and elementary school prose of the 18th century. This adaption of Columbus as a national symbol created conflicting contexts for many, such as Protestants ignoring Columbus's Catholicism. All three periods signify steps in the nation's search for self-identity.<ref> Thomas J. Schlereth, "Columbia, Columbus, And Columbianism." ''Journal of American History'' 1992 79(3): 937-968. [http://www.jstor.org/stable/2080794 in JSTOR] </Ref> | | Columbus has remained since the quest for independence a "malleable and durable American symbol." Although ignored during most of the colonial period, he was, during the 1760s-1890s, interpreted and reinterpreted to fit our national character and used to mold a collective identity. This progress can be traced over three periods: as Columbia, "an allegorical figure symbolizing liberty"; as Columbus, an individual masculine explorer who sanctioned American Manifest Destiny; and as Columbianism, a late-19th-century patriotic symbol involving "cultural and political hegemony and various ethnic and religious identities." During this evolution of "discovering" Columbus, a significant amount of material culture surfaced in American art, monuments, coinage, and in various civic events. This led to a multiple set of uses of Columbus as a model or official icon by various organizations to help shape their identities. The discovery of Columbus also grew as new methods of communication and the development of various media in the visual arts replaced the oral tradition and elementary school prose of the 18th century. This adaption of Columbus as a national symbol created conflicting contexts for many, such as Protestants ignoring Columbus's Catholicism. All three periods signify steps in the nation's search for self-identity.<ref> Thomas J. Schlereth, "Columbia, Columbus, And Columbianism." ''Journal of American History'' 1992 79(3): 937-968. [http://www.jstor.org/stable/2080794 in JSTOR] </Ref> |
| − | In the 19th century the works of historians [[Washington Irving]], [[George Bancroft]], and [[William Hickling Prescott]] created the scholarly foundations for American celebration of Columbus's achievements. Irving created a highly romantic description of Columbus's landing in ''A History of the Life and Voyages of Christopher Columbus'' (1828). 19th century American painters and graphic artists conjured up romantic images to match those found in the book. The image portrayed in Irving's book and by the artists shows Columbus finding a sparsely populated virgin land inhabited by lightly clothed "savages" to whom he introduced a "superior" culture and the blessings of Christianity. The mythical image also claims that Columbus planted the seeds of future American economic prosperity. | + | In the 19th century the works of historians [[Washington Irving]], [[George Bancroft]], and [[William Prescott]] created the scholarly foundations for American celebration of Columbus's achievements. Irving created a highly romantic description of Columbus's landing in ''A History of the Life and Voyages of Christopher Columbus'' (1828). 19th century American painters and graphic artists conjured up romantic images to match those found in the book. The image portrayed in Irving's book and by the artists shows Columbus finding a sparsely populated virgin land inhabited by lightly clothed "savages" to whom he introduced a "superior" culture and the blessings of Christianity. The mythical image also claims that Columbus planted the seeds of future American economic prosperity. |
| | Americans celebrated Columbus's discovery of the New World and built numerous monuments to him in the late 19th century. [[Columbus Day]], is a national holiday in the United States, proclaimed so in 1937 by President [[Franklin D. Roosevelt]], primarily at the behest of Catholics and Italian Americans who wanted a suitable day of celebration. | | Americans celebrated Columbus's discovery of the New World and built numerous monuments to him in the late 19th century. [[Columbus Day]], is a national holiday in the United States, proclaimed so in 1937 by President [[Franklin D. Roosevelt]], primarily at the behest of Catholics and Italian Americans who wanted a suitable day of celebration. |
| − | By the quincentenary celebration of his discovery in 1992, Columbus stood accused of genocide and ecocide. Columbus Day became controversial in the 1970s, as a matter of white guilt regarding the mistreatment of native Americans. The main accuser was Colorado professor [[Ward Churchill]] (who was fired in 2008 for academic misconduct and falsifying history) compared Columbus to Nazi Holocaust sponsor [[Heinrich Himmler]], pointing to the genocidal outcome of Columbus's brutal practices in the Caribbean. | + | By the quincentenary celebration of his discovery in 1992, Columbus stood accused of genocide and ecocide. Columbus Day became controversial in the 1970s, as a matter of white guilt regarding the mistreatment of native Americans. The main accuser was Colorado professor [[Ward Churchill]] (who was fired in 2007 for academic misconduct and falsifying history); he compared Columbus to Nazi Holocaust sponsor [[Heinrich Himmler]], pointing to the genocidal outcome of Columbus's brutal practices in the Caribbean. |
| | Columbus did return to Spain with a number of Indian slaves, and that slave labor was used in his quest for gold. Native populations died out primarily because of exposure to new Old World diseases.<ref>http://www.history.com/content/columbusday/holiday-history History of Columbus Day</ref> | | Columbus did return to Spain with a number of Indian slaves, and that slave labor was used in his quest for gold. Native populations died out primarily because of exposure to new Old World diseases.<ref>http://www.history.com/content/columbusday/holiday-history History of Columbus Day</ref> |