| − | Richard Halley no doubt heard that certain popular "composers," who actually were not worthy of the name, stole some of his ''motifs'' from his fourth concerto and used them, without attribution, in their work, usually for [[motion picture]] scores. But he gave no indication of caring about that, probably because John Galt gave him every reason to believe that those plagiarists would lose everything in the coming collapse of the "outside" society. | + | Richard Halley no doubt heard that certain popular "composers," who actually were not worthy of the name, [[plagiarism|stole]] some of his ''motifs'' from his fourth concerto and used them, without attribution, in their work, usually for [[motion picture]] scores. But he gave no indication of caring about that, probably because John Galt gave him every reason to believe that those plagiarists would lose everything in the coming collapse of the "outside" society. |