| | Wheatley's poem was based heavily on classical Roman sources, which she used in translation, and as befits a model of [[Republicanism]], Columbia is garbed in Roman dress.<ref>Thomas J. Steele, "The Figure of Columbia: Phillis Wheatley plus George Washington," ''New England Quarterly,'' Vol. 54, No. 2 (Jun., 1981), pp. 264-266 [http://www.jstor.org/stable/364975 in JSTOR]</ref> | | Wheatley's poem was based heavily on classical Roman sources, which she used in translation, and as befits a model of [[Republicanism]], Columbia is garbed in Roman dress.<ref>Thomas J. Steele, "The Figure of Columbia: Phillis Wheatley plus George Washington," ''New England Quarterly,'' Vol. 54, No. 2 (Jun., 1981), pp. 264-266 [http://www.jstor.org/stable/364975 in JSTOR]</ref> |
| − | As an iconic image of America, Columbia was commonly used in World War I, but she was displaced by the [[Statue of Liberty]] in the 1920s, and is today seldom seen, save in heritage uses like the logo for Colombia films. | + | As an iconic image of America, Columbia was commonly used in World War I, but she was displaced by the [[Statue of Liberty]] in the 1920s, and is today seldom seen, save in heritage uses like the logo for Colombia films. The name without the image remains more common, as in the Columbia Broadcasting System (CBS) or in the space shuttle Columbia, which exploded on February 1, 2003. |