Changes

==USA==

==USA==

The USA trilogy were written from a leftist perspective and provides a kaleidoscopic portrait of America during the first three decades of the 20th century by capturing the voices of people from many walks of life. He used innovative techniques, such as "Camera Eyes" and "Newsreels" in addition to narratives and mini-biographies of real people, like [[Henry Ford]].

The USA trilogy was written from a leftist perspective and provides a kaleidoscopic portrait of America during the first three decades of the 20th century by capturing the voices of people from many walks of life. He used innovative techniques, such as "Camera Eyes" and "Newsreels" in addition to narratives and mini-biographies of real people, like [[Henry Ford]].

==Conservative==

==Conservative==

By 1935 Dos Passos was disillusioned with Socialism and radicalism. He could not abide the [[New Deal]] because it bureaucratized American life and accumulated too much power. He had become a conservative, and his novels -- always political--took the perspective from traditional conservatism, with a hostility toward labor unions and Communism.  A close friend of [[Ernest Hemingway]], they became enemies when Hemingway refused to see the evils of the Communists in the [[Spanish Civil War]]. He read closely in the [[Founding Fathers]] for inspiration, and wrote extensively for the ''National Review.''  

By 1935 Dos Passos was disillusioned with Socialism and radicalism. He could not abide the [[New Deal]] because it bureaucratized American life and accumulated too much power. He had become a conservative, and his novels -- always political--took the perspective from traditional conservatism, with a hostility toward labor unions and Communism.  A close friend of [[Ernest Hemingway]], they became enemies when Hemingway refused to see the evils of the Communists in the [[Spanish Civil War]]. He read closely in the [[Founding Fathers]] for inspiration, and wrote extensively for the ''National Review.''