| − | This section echoes the exposition, except that the second subject is now played in the tonic key, providing a sense of balance to the work. | + | This section follows practically the same outline as the exposition, with the crucial difference that all of the exposition's material is presented in the main key. This requires the transitional material to be rewritten in a way that keeps it from modulating, and this is usually the main source of interest in a section which would otherwise become anticlimactic. |