| Line 8: |
Line 8: |
| | | | |
| | His work was largely banned in the [[USA]] until the relaxation of obscenity laws in the 1950s and 1960s. | | His work was largely banned in the [[USA]] until the relaxation of obscenity laws in the 1950s and 1960s. |
| | + | |
| | + | == Controversy and Revisionism == |
| | + | |
| | + | Hailed by the early 20th-century French poet Guillaume Apollinaire |
| | + | as ‘the freest spirit who ever lived’, but demonized throughout the last |
| | + | two hundred years as a misogynistic pornographer, and as the original |
| | + | proponent of sexual sadism and lustmurder, the Marquis de Sade is a |
| | + | creature of myth. The popular assumption that Sade was as sadistic as |
| | + | his monstrous fictional villains is still current today among the majority |
| | + | of the population who have never read a line of his work. In fact, |
| | + | Sade’s thought, which is expressed at great length in novels, short |
| | + | stories, plays, critical essays, and personal correspondence, is |
| | + | considerably more complex than allowed by any of the simplistic |
| | + | labels, positive or negative, associated with this mythical reputation. |
| | + | |
| | + | Best known as the author of four sexually violent novels that were |
| | + | destined to shock readers for centuries to come, Sade was, certainly, |
| | + | a subversive iconoclast and life-long rebel. Yet, most of his writings |
| | + | contained neither obscenity nor extreme violence, and many of his |
| | + | works of fiction are considered masterpieces of their genre. The |
| | + | sheer breadth and intellectual complexity of Sade’s creative output |
| | + | encompasses the whole range of human experience, from sexuality to |
| | + | morality, from politics to religion, from metaphysics to aesthetics, from |
| | + | literature to life and death. Standing at the end of the classical era |
| | + | and the beginning of the modern age, Sade is, for Michel Foucault, a |
| | + | pivotal figure in the history of philosophy. |
| | + | |
| | + | Spanning two centuries and |
| | + | successive political regimes, from monarchy to empire, he is also the |
| | + | only French philosopher of importance to live through the French |
| | + | Revolution and to comment on its events as they happened. Sade was a |
| | + | writer of astonishing energy and remarkable courage. He was unafraid |
| | + | to speak his mind, and paid for this temerity with his freedom. What |
| | + | makes him unique, however, is a dogged determination to tell the truth |
| | + | about the human condition, a truth that he located, not in a soul or |
| | + | spirit, as most previous philosophers had done, but simply, scandalously, |
| | + | in the sexual body, which for him was the only reality. Were it not for |
| | + | his explicit use of language and complete disregard for the artificially |
| | + | constructed taboos of a religious morality he despised, the novelty and |
| | + | profundity of Sade’s thought, and, above all, its fundamental modernity, |
| | + | would have long since secured him a place alongside the greatest |
| | + | authors and thinkers of the European Enlightenment. |
| | + | |
| | + | |
| | | | |
| | ===References=== | | ===References=== |