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Line 31: + + + + − + − *Buch, David Joseph. "'Die Zauberflöte', Masonic opera, and other fairy tales," in ''ACTA MUSICOLOGICA, Société Internationale de Musicologie, Internationale Gesellschaft für Musikwissenschaft, International Musicological Society'', Vol. 76 Issue n2 (2004), 193-220. − *Heartz, Daniel. "La clemenza di Sarastro; Masonic benevolence in Mozart's last operas" in ''The Musical Times'' Vol. 124 (March 1983), 152-158. − *Godwin, Jocelyn. "Layers of meaning in 'The Magic Flute," in ''The Musical Quarterly'' Vol. 65, No. 4 (1979), 471. − *Besack, Michael. ''Which craft? W.A. Mozart and the Magic flute'', ''Esoteric journeys through poetry & song, No. 3'', Oakland: Regent (2001).<br />
→Bibliography: trim and alphabetize
==Bibliography==
==Bibliography==
<References/>
<References/>
*Assmann, Jan. "'Die Zauberflöte' im kulturellen Kontext: Chancen und Grenzen eines kulturwissenschaftlichen zugangs" in ''Basler Jahrbuch für historische Musikpraxis'', Vol. 30 (2006), 99-115.
*Besack, Michael. ''Which craft? W.A. Mozart and the Magic flute'', ''Esoteric journeys through poetry & song, No. 3'', Oakland: Regent (2001).
*Buch, David Joseph. "'Die Zauberflöte', Masonic opera, and other fairy tales," in ''ACTA MUSICOLOGICA, International Musicological Society'', Vol. 76 Issue n2 (2004), 193-220.
*Godwin, Jocelyn. "Layers of meaning in 'The Magic Flute," in ''The Musical Quarterly'' Vol. 65, No. 4 (1979), 471.
*Golomb, Uri. "Feminism, Chauvinism and Masonic: Pamina and Mozart's 'The Magic Flute'" in ''Goldberg, Early Music Magazine'' 40 (June 2006), 40-51.
*Golomb, Uri. "Feminism, Chauvinism and Masonic: Pamina and Mozart's 'The Magic Flute'" in ''Goldberg, Early Music Magazine'' 40 (June 2006), 40-51.
*Assmann, Jan. "'Die Zauberflöte' im kulturellen Kontext: Chancen und Grenzen eines kulturwissenschaftlichen zugangs" in ''Basler Jahrbuch für historische Musikpraxis'', Vol. 30 (2006), 99-115.
*Heartz, Daniel. "La clemenza di Sarastro; Masonic benevolence in Mozart's last operas" in ''The Musical Times'' Vol. 124 (March 1983), 152-158.
*Horwath, Peter. "Symbolism in 'Die Zauberfloete:' origin and background of the symbolism of 'Sevenfold,' 'Mighty,' and 'All-consuming Sun Disk..'" in ''The Opera Quarterly'' Vol. 8 No. 3 (1991), 58-86.
*Horwath, Peter. "Symbolism in 'Die Zauberfloete:' origin and background of the symbolism of 'Sevenfold,' 'Mighty,' and 'All-consuming Sun Disk..'" in ''The Opera Quarterly'' Vol. 8 No. 3 (1991), 58-86.
*Thomson, Katharine. "Mozart and freemasonry" in ''Music and Letters'' Vol. 57 No. 1 (1976), 22-47.
*Thomson, Katharine. "Mozart and freemasonry" in ''Music and Letters'' Vol. 57 No. 1 (1976), 22-47.
*Wagner, Manfred. "Zur Freimauerei in Mozarts Zauberflöte" in ''Musikgeschichte als Verstehensgeschichte: Festschrift für Gernot Gruber zum 65. Geburtstag'', 2004.<br />
*Wagner, Manfred. "Zur Freimauerei in Mozarts Zauberflöte" in ''Musikgeschichte als Verstehensgeschichte: Festschrift für Gernot Gruber zum 65. Geburtstag'', 2004.<br />
== Links ==
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