Hirszenberg’s painting (The Wandering Jew) is considered the second [[Jewish]] example of a Wandering Jew painting, after the 1876 self-portrait Ahasuerus by his mentor Maurycy Gottlieb. Avraham Ronen suggests Gottlieb’s painting was a response to Wilhelm von Kaulbach’s antisemitic ''The Destruction of Jerusalem'', wherein a Wandering Jew figure is tormented by raging demons. [http://etd.library.vanderbilt.edu/ETD-db/available/etd-03272006-123911/unrestricted/BrichettoThesispdf.pdf]
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Hirszenberg’s painting (The Wandering Jew) is considered the second [[Jewish]] example of a Wandering Jew painting, after the 1876 self-portrait Ahasuerus by his mentor [[Maurycy Gottlieb]]. Avraham Ronen suggests Gottlieb’s painting was a response to Wilhelm von Kaulbach’s antisemitic ''The Destruction of Jerusalem'', wherein a Wandering Jew figure is tormented by raging demons. [http://etd.library.vanderbilt.edu/ETD-db/available/etd-03272006-123911/unrestricted/BrichettoThesispdf.pdf]