| | George's desire to identify the monarchy with national achievement and visible splendor was evident from the start of his reign. Individual and organized patriotism was increasing, and the king represented reassuring stability in the midst of national flux and humiliation following Britain's declining fortunes and eventual defeat in the war of American independence. After 1780 royal resurgence was also part of the conservative reaction to the [[French Revolution]]. Newspapers were important to royal propaganda and display, as was civic pride, a growth in the number of voluntary organizations, increased rapport between a variety of religious interests and royalty, and the wartime context of much of George III's reign. | | George's desire to identify the monarchy with national achievement and visible splendor was evident from the start of his reign. Individual and organized patriotism was increasing, and the king represented reassuring stability in the midst of national flux and humiliation following Britain's declining fortunes and eventual defeat in the war of American independence. After 1780 royal resurgence was also part of the conservative reaction to the [[French Revolution]]. Newspapers were important to royal propaganda and display, as was civic pride, a growth in the number of voluntary organizations, increased rapport between a variety of religious interests and royalty, and the wartime context of much of George III's reign. |
| | In 1819 the poet Shelley had already written his epitaph: "An old, mad, blind, despised, and dying king." However, recent historians portray a shrewd, cultivated, and well-meaning individual who was widely read and well informed about English history and constitutional law. Contrary to earlier interpretations recent scholars say he did not bend constitutional rules nor did he pursue policies leading to the subversion of British and colonial liberties. The kingship continued to function under George III very much in the same way as under his grandfather, George II.<ref>Ian R. Christie, "George III and the Historians - Thirty Years On." ''History'' 1986 71(232): 205-221. </ref> | | In 1819 the poet Shelley had already written his epitaph: "An old, mad, blind, despised, and dying king." However, recent historians portray a shrewd, cultivated, and well-meaning individual who was widely read and well informed about English history and constitutional law. Contrary to earlier interpretations recent scholars say he did not bend constitutional rules nor did he pursue policies leading to the subversion of British and colonial liberties. The kingship continued to function under George III very much in the same way as under his grandfather, George II.<ref>Ian R. Christie, "George III and the Historians - Thirty Years On." ''History'' 1986 71(232): 205-221. </ref> |
| | * Ayling, S. E. ''George III'' (1972) | | * Ayling, S. E. ''George III'' (1972) |