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The movie has been interpreted as both anti-war and pro-military; Ebert judges the movie to be "a hard-line glorification of the military ethic, personified by a man whose flaws and eccentricities marginalized him in peacetime, but found the ideal theater in battle."
The movie has been interpreted as both anti-war and pro-military; Ebert judges the movie to be "a hard-line glorification of the military ethic, personified by a man whose flaws and eccentricities marginalized him in peacetime, but found the ideal theater in battle."
[[Category:Military Commanders]]
[[Category:Military Commanders|Patton, George]]