| Line 1: |
Line 1: |
| | '''Flaming Star''' (1960) stars [[Elvis Presley]] as Pacer, a half-Indian, half-white man in an area with deadly conflicts between Indians and whites. | | '''Flaming Star''' (1960) stars [[Elvis Presley]] as Pacer, a half-Indian, half-white man in an area with deadly conflicts between Indians and whites. |
| | | | |
| − | The movie begins with a surprise birthday party for a white man and an Indian raid on a settler's cabin. Then a lone Indian carrying a spear appears as evening falls, desiring to talk to Pacer, who refuses any but a daylight meeting. | + | The movie begins with a surprise birthday party for a white man and an Indian raid on a settler's cabin. Then a lone Indian carrying a spear appears as evening falls, desiring to talk to Pacer, who refuses any but a daylight meeting with this Kiowa chief. |
| | | | |
| | The next day the two sons discover the Indian butchery when they visit the store, and a relative of one of the deceased threatens to murder Pacer in retaliation (although the viewer knows he had nothing to do with the raid). Then 8 men visit the house demanding the white son clarify where his loyalty lies. | | The next day the two sons discover the Indian butchery when they visit the store, and a relative of one of the deceased threatens to murder Pacer in retaliation (although the viewer knows he had nothing to do with the raid). Then 8 men visit the house demanding the white son clarify where his loyalty lies. |
| Line 7: |
Line 7: |
| | After that, Paw and the white son ride off, and two white trappers visit the house begging a meal. When they learn that Pacer and his mother are Indian, they turn arrogant, calling him boy and Red Boy and one making sexual advances towards his mother. | | After that, Paw and the white son ride off, and two white trappers visit the house begging a meal. When they learn that Pacer and his mother are Indian, they turn arrogant, calling him boy and Red Boy and one making sexual advances towards his mother. |
| | *This scene shows the degenerate side of whites better than anything else: racism combined with a taste for adultery. | | *This scene shows the degenerate side of whites better than anything else: racism combined with a taste for adultery. |
| | + | |
| | + | The Kiowa chief appears, and Pacer comes out from the walls of his house to hear his demand: join their side of the war, or be killed (along with his mother). Maw counsels rather than give a quick answer to go to the Indian camp and discuss the matter with her relatives there. |
| | | | |
| | [[category:movies]] | | [[category:movies]] |