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Line 1: − + − − The Shroud has several unique characteristics. First, its image is brighter as in a [[photography|photographic]] negative, suggesting some extraordinary type of interplay of light in the burning of the image. Second, the nail wounds are through the man's wrists rather than his hands, despite the unanimous and inaccurate [[medieval]] depiction of the nail wounds for crucified victims as being through the hands. Modern analysis indicates that the hands are not strong enough to sustain the weight of man on the cross, while the wrists would be. Third, all the indicators of the unique scourging ''and'' crucifixion of the man are present on the Shroud, when it is unlikely anyone else would have been both scourged and crucified. Computer analysis suggests the image of coins on the Shroud that date from the time of [[Pontius Pilate]]. − − As reported by the [[BBC]], the leading secular [[British]] news source, "Mechthild Flury-Lemberg found that the fabric was woven in a three-to-one herringbone pattern, used for high quality cloths in the ancient world."<ref>http://news.bbc.co.uk/1/hi/magazine/3624753.stm</ref> − − Scientists have devoted years of work in analyzing the Shroud. Several of these scientists who have studied the Shroud converted to [[Christianity]] as a result.<ref>http://www.shroud.com/mrinobnf.pdf</ref> − − ==Early history== − ====Bardesane of Edessa==== − The earliest possible reference to the Shroud is found in a second century poem by Bardesane of Edessa. Called the "Hymn of the Pearl", it was embedded within the non-canonical ''Acts of Thomas'', and tells the story of a boy - apparently the figure in the poem - to retrieve a pearl from Egypt. He describes the "mirror of myself" embedded in his robe in some detail similar to the Shroud: − :''"And because I remembered not its fashion / for in my childhood I had left it in my father's house, / on a sudden, when I received it, / the garment seemed to me to become like a mirror of myself. / I saw it all in all, / and I to received all in it, / for we were two in distinction / and yet gain one in one likeness. / And the treasurers too, / who brought it to me, I saw in like manner / to be two (and yet) one likeness, for one sign of the king was written on them (both), / of the hands of him who restored to me through them / my trust and my wealth"'' [http://www.gnosis.org/library/hymnpearl.htm] − − ====Image of Edessa/Mandylion==== − According to [[Eusebius]], King Abgar of Edessa was afflicted of an illness, and hearing of the miracles of Jesus as a healer he sent a letter to Him, asking if He would come to his aid. Jesus responded that He could not come, but would send his disciple Thaddeus, who comes and heals him [http://www.ccel.org/ccel/schaff/npnf201.iii.vi.xiii.html]; according to variants of this story King Abgar is left with the cloth image of Jesus, beginning with the ''Doctrine of Addai'' (ca. 400 A.D.) in which a court painter created an image of the Lord and "brought with him to Abgar the king, his master. And when Abgar the king saw the likeness, he received it with great joy, and placed it with great honor in one of his palatial houses." [http://www.tertullian.org/fathers/addai_2_text.htm]. Artistic works of this relic - called either the "Image of Edessa" or the "[[mandylion]]" - generally have it portrayed as the face of Christ upon a towel or kerchief. − − The mandylion would surface again around 525 when Edessa was flooded by the Daisan River. Workmen repairing one of the city's gates discovered a niche with the cloth inside; the mandylion was declared to be ''Acheiropoietos'' (Greek: Αχειροποίητος), "not made by hands", meaning that it was a miraculous image created supernaturally and not by man. The mandylion stayed in Edessa as a means of protection for the city from harm until forcibly taken to [[Constantinople]] in 944, where it was received with great fanfare by Emperor Romanus I. Placed within the church of Saint Mary of Blachernae, it stayed there as a Christian relic until disappearing in the sack of the city during the Fourth Crusade in 1204. One of the knights who participated in the sacking of Constantinople, Robert de Clari, left a detailed letter of what he observed at the time, and he referred to this relic as being more than a facial image: − :''"But among the rest, there was also another of the minsters, which was called the Church of my Lady Saint Mary of Blachernae, within which was the shroud wherein Our Lord was wrapped. And on every Friday that shroud did raise itself upright, so that the form of Our Lord could clearly be seen. And none knows - neither Greek nor Frank - what became of that shroud when the city was taken."''[http://www.deremilitari.org/resources/sources/clari4.htm] − − == Dating the Shroud == − − Raymond N. Rogers, a retired [[chemist]] from the [[Los Alamos National Laboratory]] in [[New Mexico]], studied the Shroud and declared, "The chemistry says it was a real shroud, the blood spots on it are real blood, and the technology that was used to make that piece of cloth was exactly what Pliny the Elder reported from his time," about A.D. 70. "It's a shroud from the right time, but you're never going to find out (through science) if it was used on a person named [[Jesus]]," Rogers said.<ref>http://bibleprobe.com/</ref> − − In 1988, [[carbon dating]] of a small snippet of the Shroud was performed, and the results suggested that the Shroud originated between A.D. 1238 and 1430. However, a peer-reviewed scientific paper later demonstrated the invalidity of those results, suggesting instead that the Shroud is between 1,300 and 3,000 years old.<ref>Rogers, Raymond N., "Studies on the radiocarbon sample from the shroud of turin". Thermochimica Acta, Volume 425 Issue 1–2, pp. 189-194 (Jan. 20, 2005)[http://www.sciencedirect.com/science?_ob=ArticleURL&_udi=B6THV-4DTBVHC-1&_user=10&_handle=B-WA-A-W-WE-MsSAYWA-UUA-AAUYYDZUYC-AAUZVCZYYC-YZEWAVVVC-WE-U&_fmt=full&_coverDate=01%2F20%2F2005&_rdoc=26&_orig=browse&_srch=%23toc%235292%232005%23995749998%23553672!&_cdi=5292&view=c&_acct=C000050221&_version=1&_urlVersion=0&_userid=10&md5=3d89246a5d4144616be7657f0d83b6cf]</ref> <ref>Mark Antonacci, "Resurrection of the Shroud: New Scientific, Medical, and Archeological Evidence" (2000)[http://www.amazon.com/dp/0871318903?tag=worldmyster07-20&creative=373489&camp=211189&link_code=as3&creativeASIN=0871318903]</ref> The sample for the 1988 analysis had actually been taken from cloth woven into the Shroud during the [[Middle Ages]], thereby giving a false result.<ref>http://www.shroudcentersocal.com/</ref> Moreover, "the 12th Century Hungarian 'Pray Manuscript' come to depict Jesus being wrapped in the shroud - with authentic herringbone pattern and burn marks - 100 years before carbon-dating says the material originated."<ref>http://news.bbc.co.uk/1/hi/magazine/3624753.stm</ref> − − The defect in the carbon dating was that the samples were "uniquely coated with a yellow–brown [[plant]] gum containing dye lakes. [[Pyrolysis-mass-spectrometry]] results from the sample area coupled with microscopic and microchemical observations prove that the radiocarbon sample was not part of the original cloth of the Shroud of Turin." Instead, [e]stimates of the kinetics constants for the loss of vanillin from lignin indicate a much older age for the cloth than the radiocarbon analyses."<ref>http://bibleprobe.com/</ref> − − == The Lamb == − According to a paper by Dr. Petrus Soons scientific research of some of the photographs of the shroud show an oval object under the beard of the image. After much research three cursive letters were identified and translated from the Hebrew. The meaning of the translation was, "The Lamb," a name in which Jesus was refered to in the New Testament.<ref>Dr. Soons Paper http://74.125.93.132/search?q=cache%3ACtDFWbA8AfIJ%3Awww.ohioshroudconference.com%2Fpapers%2Fp24.pdf+THE+SHROUD+OF+TURIN%2C+THE+HOLOGRAPHIC+EXPERIENCE+By+DR.+PETRUS+SOONS&hl=en&gl=us</ref> This finding now makes the person on the shroud exclusively identified with Christ. − − == Replication == − − Luigi Garlaschelli, professor of organic chemistry at the University of Pavia, announced that he had made a full size reproduction of the Shroud of Turin using only medieval technologies on October 5th, 2009. Garlaschelli placed a linen sheet over a volunteer and then rubbed it with an acidic pigment. The shroud was then aged in an oven before being washed to remove the pigment. He then added blood stains, scorches and water stains to replicate the original. The image on the reproduction would closely match that of the Turin Shroud with differences explained as the result of natural fading over the centuries. <ref>Italian scientist reproduces Shroud of Turin http://www.reuters.com/article/idUSTRE5943HL20091005</ref> But according to noted sindonologist Giulio Fanti, "the image in discussion does not match the main fundamental properties of the Shroud image, in particular at thread and fiber level but also at macroscopic level."<ref>http://www.acheiropoietos.info/abstracts/talks-image_formation.html</ref> Further criticism of Garlaschelli's replica has come from shroud scholars Peter Soons <ref>http://shroudofturin.wordpress.com/2009/10/09/why-the-italian-fake-does-not-reproduce-the-shroud-of-turin/</ref> and Thibault Heimburger.<ref>http://www.shroud.com/pdfs/thibault-lg.pdf</ref> − − == References == − − <references/> − − == Sources == − *[http://www.shroud.com/pdfs/guscin3.pdf Sermon of Gregory Referendarius, Archdeacon of Hagia Sophia in Constantinople, August, 944] − *[http://www.shroudstory.com/shroud-of-turin-picture-01.htm Amazing Details about the Shroud] − − [[Category:Christianity]]
Replaced content with 'right|300px|thumb|Negative image of the face of the Shroud; the photographic qualities of the Shroud were unknown until 1898. The '''Shroud…'
[[image:Shroud of Turin face.jpg|right|300px|thumb|Negative image of the face of the Shroud; the photographic qualities of the Shroud were unknown until 1898.]]
[[image:Shroud of Turin face.jpg|right|300px|thumb|Negative image of the face of the Shroud; the photographic qualities of the Shroud were unknown until 1898.]]
The '''Shroud of Turin''' is a long cloth that contains the image of an apparently [[crucifixion|crucified]] man who had also been scourged and crowned with thorns.<ref>http://www.shroud.com/</ref> Many believe it was the burial cloth for [[Jesus]]. It has been the source of intense scientific controversy and there have many modern attempts to prove or disprove its authenticity. It was owned and maintained by families in [[Italy]] for centuries and given only in the late 20th century to the [[Roman Catholic Church]], which has never taken a position for or against its authenticity.
The '''Shroud of Turin''' is a big fake and no rational person really gives about it.