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| | The 'tiger's heart wrapped in a player's hide' is a reference to one of Shakespeare's plays, ''[[The Third Part of King Henry VI]]'',<ref> [[Great Books, Shakespeare: I]], Edited by Mortimer J. Adler, 1952. </ref> while 'shake-scene' is a pun or play on words on Shakespeare's name. | | The 'tiger's heart wrapped in a player's hide' is a reference to one of Shakespeare's plays, ''[[The Third Part of King Henry VI]]'',<ref> [[Great Books, Shakespeare: I]], Edited by Mortimer J. Adler, 1952. </ref> while 'shake-scene' is a pun or play on words on Shakespeare's name. |
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| − | His plays seem to show so much education and erudition that there are even theories that they must have been written by someone else, famous candidates being the Earl of Oxford and Sir [[Francis Bacon]]. Most scholars do not believe these theories, but there are enough questions that new theories of Shakespearean authorship continue arise over the years. | + | His plays seem to show so much education and erudition that many theories have arisen that those works must have been written by someone else, famous candidates being the [[Oxfordian|Earl of Oxford]] and Sir [[Francis Bacon]]. Most scholars reject these theories, but there are enough questions that new theories of Shakespearean authorship continue to arise. |
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| | A long-standing theatrical [[superstition]] holds that it is bad luck to refer to ''Macbeth'' directly by its name while inside a theatre, and accordingly, actors traditionally refer to it obliquely as "the Scottish play." It is considered acceptable to voice the play's name only while rehearsing or performing the production itself. | | A long-standing theatrical [[superstition]] holds that it is bad luck to refer to ''Macbeth'' directly by its name while inside a theatre, and accordingly, actors traditionally refer to it obliquely as "the Scottish play." It is considered acceptable to voice the play's name only while rehearsing or performing the production itself. |
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| | Because Shakespeare's plays are so familiar, there are innumerable references to them in English literature. Sometimes his stories are recast into a different form. The musical ''West Side Story'' is a retelling of ''Romeo and Juliet,'' and the classic science-fiction movie ''Forbidden Planet'' is a transformed version of ''The Tempest.'' | | Because Shakespeare's plays are so familiar, there are innumerable references to them in English literature. Sometimes his stories are recast into a different form. The musical ''West Side Story'' is a retelling of ''Romeo and Juliet,'' and the classic science-fiction movie ''Forbidden Planet'' is a transformed version of ''The Tempest.'' |
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| − | The reverence in which Shakespeare is held, and the language of his plays (which come from the same era as the King James translation of the Bible) should not obscure the fact that his plays were (and still are) fabulously successful. | + | The reverence in which Shakespeare is held, and the archaic language of his plays (from the same era as the King James translation of the Bible) should not obscure the fact that his plays were (and still are) fabulously successful. |
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| | He is also famous for his 154 [[sonnet]]s, short poems written in a very strict [[rhyme scheme]]. The sonnets fall into series or sequences. Most of them are usually read as expressions of romantic or platonic love; some appear to be written to a married woman known in the sonnets as the "Dark Lady," some to a young man known as the "Fair Lord." | | He is also famous for his 154 [[sonnet]]s, short poems written in a very strict [[rhyme scheme]]. The sonnets fall into series or sequences. Most of them are usually read as expressions of romantic or platonic love; some appear to be written to a married woman known in the sonnets as the "Dark Lady," some to a young man known as the "Fair Lord." |