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== The Lamb ==
== The Lamb ==
According to a paper by Dr. Petrus Soons scientific research of some of the photographs of the shroud show an oval object under the beard of the image. After much research three cursive letters were identified and translated from the Hebrew. The meaning of the translation was, "The Lamb," a name in which Jesus was referred to in the New Testament.<ref>Dr. Soons Paper [http://74.125.93.132/search?q=cache%3ACtDFWbA8AfIJ%3Awww.ohioshroudconference.com%2Fpapers%2Fp24.pdf+THE+SHROUD+OF+TURIN%2C+THE+HOLOGRAPHIC+EXPERIENCE+By+DR.+PETRUS+SOONS&hl=en&gl=us]</ref> This finding now makes the person on the shroud exclusively identified with Christ.
According to a paper by Dr. Petrus Soons scientific research of some of the photographs of the shroud show an oval object under the beard of the image. After much research three cursive letters were identified and translated from the Hebrew. The meaning of the translation was, "The Lamb," a name in which Jesus was referred to in the New Testament.<ref>Dr. Soons Paper [http://74.125.93.132/search?q=cache%3ACtDFWbA8AfIJ%3Awww.ohioshroudconference.com%2Fpapers%2Fp24.pdf+THE+SHROUD+OF+TURIN%2C+THE+HOLOGRAPHIC+EXPERIENCE+By+DR.+PETRUS+SOONS&hl=en&gl=us]</ref> This finding now makes the person on the shroud exclusively identified with Christ.
== Critics ==
Over the centuties there have been critics and doubters of the Shroud being the authentic burial cloth of Jesus. One of the earliest unbelievers was Pierre d'Arcis, Bishop of Troyes who wrote a scathing letter to the pope in 1389 claiming that the Shroud was a "cunning" painting and that the artist had been discovered.<ref>The Shroud, Ian Wilson, 2010, page 102.</ref> Another critic was scientist Walter McCrone who insisted that it was a painting despite all the evidence against it being a painting.
== Replication ==
== Replication ==
Luigi Garlaschelli, professor of organic chemistry at the University of Pavia, announced that he had made a full size reproduction of the Shroud of Turin using only medieval technologies on October 5th, 2009. Garlaschelli placed a linen sheet over a volunteer and then rubbed it with an acidic pigment. The shroud was then aged in an oven before being washed to remove the pigment. He then added blood stains, scorches and water stains to replicate the original. The image on the reproduction would closely match that of the Turin Shroud with differences explained as the result of natural fading over the centuries. <ref>Italian scientist reproduces Shroud of Turin [http://www.reuters.com/article/idUSTRE5943HL20091005]</ref> But according to noted sindonologist Giulio Fanti, "the image in discussion does not match the main fundamental properties of the Shroud image, in particular at thread and fiber level but also at macroscopic level."<ref>[http://www.acheiropoietos.info/abstracts/talks-image_formation.html]</ref> Further criticism of Garlaschelli's replica has come from shroud scholars Peter Soons <ref>[http://shroudofturin.wordpress.com/2009/10/09/why-the-italian-fake-does-not-reproduce-the-shroud-of-turin/]</ref> and Thibault Heimburger.<ref>[http://www.shroud.com/pdfs/thibault-lg.pdf]</ref>
Luigi Garlaschelli, professor of organic chemistry at the University of Pavia, announced that he had made a full size reproduction of the Shroud of Turin using only medieval technologies on October 5th, 2009. Garlaschelli placed a linen sheet over a volunteer and then rubbed it with an acidic pigment. The shroud was then aged in an oven before being washed to remove the pigment. He then added blood stains, scorches and water stains to replicate the original. The image on the reproduction would closely match that of the Turin Shroud with differences explained as the result of natural fading over the centuries. <ref>Italian scientist reproduces Shroud of Turin [http://www.reuters.com/article/idUSTRE5943HL20091005]</ref> But according to noted sindonologist Giulio Fanti, "the image in discussion does not match the main fundamental properties of the Shroud image, in particular at thread and fiber level but also at macroscopic level."<ref>[http://www.acheiropoietos.info/abstracts/talks-image_formation.html]</ref> Further criticism of Garlaschelli's replica has come from shroud scholars Peter Soons <ref>[http://shroudofturin.wordpress.com/2009/10/09/why-the-italian-fake-does-not-reproduce-the-shroud-of-turin/]</ref> and Thibault Heimburger.<ref>[http://www.shroud.com/pdfs/thibault-lg.pdf]</ref>