He began piano lessons at age five, and was said to show “remarkable gifts” though plagued by “abnormal sensitivity”.<ref>Grove Dictionary of Music</ref> He was entered in the School of Jurisprudence at [[St. Petersburg]] when ten; and spent the next 13 years in non-musical study and as a civil servant; before deciding that his course in life would be music and took up studies at the [[St. Petersburg]] Conservatory under [[Anton Rubenstein]]. His music was slow to gain acceptance amongst both the conservative musical establishment and the nationalist group of composers (“the Five”) but his First [[Symphony]] found favour with the public, and the ''“Romeo and Juliet Fantasy Overture”'', written (and reworked more than once) at the suggestion of [[Balakirev]], was a success. | He began piano lessons at age five, and was said to show “remarkable gifts” though plagued by “abnormal sensitivity”.<ref>Grove Dictionary of Music</ref> He was entered in the School of Jurisprudence at [[St. Petersburg]] when ten; and spent the next 13 years in non-musical study and as a civil servant; before deciding that his course in life would be music and took up studies at the [[St. Petersburg]] Conservatory under [[Anton Rubenstein]]. His music was slow to gain acceptance amongst both the conservative musical establishment and the nationalist group of composers (“the Five”) but his First [[Symphony]] found favour with the public, and the ''“Romeo and Juliet Fantasy Overture”'', written (and reworked more than once) at the suggestion of [[Balakirev]], was a success. |