| − | '''Jean Miotte''' (Paris, 1926) is a [[French]] abstract [[painter]]. In 1953 his works were first exposed at the Salon des Réalités Nouvelles. ''A scholarship of the Ford Foundation in 1961 was a turning point in the career of Jean Miotte. Meeting American artists of his generation such as Sam Francis, Robert Motherwell, Mark Rothko and Alexander Calder and Experiencing the vast American landscape had an important impact on the young French artist.'' [http://www.artinfo.com/galleryguide/22112/8630/120447/chelsea-art-museum-new-york/exhibition/the-empty-space-jean-miotte-in-the-70s/] | + | '''Jean Miotte''' (Paris, 1926) is a [[French]] [[abstract]] [[painter]]. In 1953 his works were first exposed at the Salon des Réalités Nouvelles. ''A scholarship of the Ford Foundation in 1961 was a turning point in the career of Jean Miotte. Meeting American artists of his generation such as Sam Francis, Robert Motherwell, Mark Rothko and Alexander Calder and Experiencing the vast American landscape had an important impact on the young French artist.'' [http://www.artinfo.com/galleryguide/22112/8630/120447/chelsea-art-museum-new-york/exhibition/the-empty-space-jean-miotte-in-the-70s/] |
| | Some later selected exibitions were at: 1963, Stedelijk Museum, Schiedam, The Netherlands, 1969, Corcoran Gallery of Art, Washington D.C., 1980, Centre Georges Pompidou, Paris, France, 1998, The National Arts Club, New York, and 1999, Museum Jan van der Togt, Amsterdam, The Netherlands. | | Some later selected exibitions were at: 1963, Stedelijk Museum, Schiedam, The Netherlands, 1969, Corcoran Gallery of Art, Washington D.C., 1980, Centre Georges Pompidou, Paris, France, 1998, The National Arts Club, New York, and 1999, Museum Jan van der Togt, Amsterdam, The Netherlands. |
| | “My painting is a projection, a succession of acute moments where creation occurs in the midst of spiritual tension as the result of inner conflicts. Painting is not a speculation of the mind or spirit, it’s a gesture from within.” | | “My painting is a projection, a succession of acute moments where creation occurs in the midst of spiritual tension as the result of inner conflicts. Painting is not a speculation of the mind or spirit, it’s a gesture from within.” |