Difference between revisions of "Henry Fuseli"
Jump to navigation
Jump to search
(Changed category) |
|||
| Line 1: | Line 1: | ||
'''Henry Fuseli''' (1741-1825) was a Swiss [[painter]], [[poet]], critic, and teacher, a fervent admirer of [[Shakespeare]], who spent most of his active career in England. Fuseli has often been regarded as a forerunner of the [[Romanticism|Romantic art movement]] and a precursor of [[Symbolism]] and [[Surrealism]]. His most famous painting is The Nightmare (1781), in which an ape-like goblin sits on a young woman, who is sleeping in a strained posture. | '''Henry Fuseli''' (1741-1825) was a Swiss [[painter]], [[poet]], critic, and teacher, a fervent admirer of [[Shakespeare]], who spent most of his active career in England. Fuseli has often been regarded as a forerunner of the [[Romanticism|Romantic art movement]] and a precursor of [[Symbolism]] and [[Surrealism]]. His most famous painting is The Nightmare (1781), in which an ape-like goblin sits on a young woman, who is sleeping in a strained posture. | ||
| − | |||
[[File:Henry Fuseli Titania and Bottom ca 1790.jpg]] | [[File:Henry Fuseli Titania and Bottom ca 1790.jpg]] | ||
Titania and Bottom, ca. 1790. | Titania and Bottom, ca. 1790. | ||
| − | |||
==External links== | ==External links== | ||
*[http://www.arthistoryarchive.com/arthistory/romanticism/Henry-Fuseli-William-Blake.html Henry Fuseli Biography & Artwork] | *[http://www.arthistoryarchive.com/arthistory/romanticism/Henry-Fuseli-William-Blake.html Henry Fuseli Biography & Artwork] | ||
| + | {{DEFAULTSORT:Fuseli, Henry}} | ||
| − | + | [[Category:Swiss Painters]] | |
| − | |||
| − | [[Category:Painters]] | ||
Latest revision as of 21:57, May 12, 2017
Henry Fuseli (1741-1825) was a Swiss painter, poet, critic, and teacher, a fervent admirer of Shakespeare, who spent most of his active career in England. Fuseli has often been regarded as a forerunner of the Romantic art movement and a precursor of Symbolism and Surrealism. His most famous painting is The Nightmare (1781), in which an ape-like goblin sits on a young woman, who is sleeping in a strained posture.
Titania and Bottom, ca. 1790.