Difference between revisions of "Pictures at an Exhibition"
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==Great Gate of Kiev== | ==Great Gate of Kiev== | ||
| − | Ravel orchestrated his version backwards, beginning with the Great Gate of Kiev. | + | Hartmann won the national competition for a design to build the Great Gate of [[Kyiv]], and the two often spoke of Mussorgsky writing the music for ceremonies after the Gate would be completed and opened. But the structure was never built. The Gate was dream they both shared. |
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| + | Ravel's orchestrated his version backwards, beginning with the Great Gate of Kiev. | ||
==External link== | ==External link== | ||
Revision as of 07:16, May 21, 2021
Pictures at an Exhibition was written in 1874 by the Russian composer Modest Mussorgsky to commemorate the death of his close friend, artist and painter Victor Hartman. Originally scored for piano, the full piece, or sections of it, have been orchestrated many times in many different versions, most recently in 2019. The most famous of these orchestral versions was completed by the French composer Maurice Ravel in 1927. The famous conductor Polish Leopold Stokowski also orchestrated several sections in 1939. Mussorgsky himself, while probably having intended to do an orchestral version, never did so, and never heard an orchestrated version in his lifetime.
The English band Emerson, Lake, and Palmer did a rock version in 1971, and the Japanese synthesizer virtuoso Isao Tomito did a complete keyboard synthesized version in 1976.
Great Gate of Kiev
Hartmann won the national competition for a design to build the Great Gate of Kyiv, and the two often spoke of Mussorgsky writing the music for ceremonies after the Gate would be completed and opened. But the structure was never built. The Gate was dream they both shared.
Ravel's orchestrated his version backwards, beginning with the Great Gate of Kiev.
External link
- Pictures from an Exhibition. Pictures of What? Pierre Boulez, Chicago Symphony Orchestra.