Difference between revisions of "T.S. Eliot"
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| − | '''Thomas Stearns Eliot''' (1888-1965) was | + | '''Thomas Stearns Eliot''' (1888-1965) was an American-born British poet, playwright, and literary critic. He was a dominant force in the English and American literary scene during the middle third of the twentieth century, and presented a powerful conservative voice. Some of his works include ''The Waste Land''<ref>http://www.artofeurope.com/eliot/eli3.htm</ref> in 1922, and "The Journey of the Magi" in 1927. He studied at Oxford, Paris, and Harvard. He won the Nobel Prize for literature. |
| − | T. S. Eliot was born and grew up in St. Louis, [[Missouri]], | + | T. S. Eliot was born and grew up in St. Louis, [[Missouri]], from a prominent intellectual family of Yankee origins. But in adulthood he moved to England. In 1927 he renounced his American citizenship, became a British subject, and converted to Anglicanism. He described himself as "classicist in literature, royalist in politics, and Anglo-Catholic in religion." Eliot's religious views are most notably contained in the poem ''Ash Wednesday'', which he wrote in 1927 after his conversion, and particularly in the ''Four Quartets''. These were four related poems published separately between 1935 and 1942, and republished in one volume in 1943. Their titles are ''Burnt Norton'',<ref>http://www.tristan.icom43.net/quartets/norton.html</ref> ''East Coker'',<ref>http://www.tristan.icom43.net/quartets/coker.html</ref> ''The Dry Salvages'',<ref>http://www.tristan.icom43.net/quartets/salvages.html</ref> and ''Little Gidding''.<ref>http://www.tristan.icom43.net/quartets/gidding.html</ref> |
Eliot considered ''Four Quartets'' to be his masterpiece. It draws upon his study, over three decades, of mysticism and philosophy. Christian imagery and symbolism in the poems is abundant. | Eliot considered ''Four Quartets'' to be his masterpiece. It draws upon his study, over three decades, of mysticism and philosophy. Christian imagery and symbolism in the poems is abundant. | ||
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:That will not leave us, but prevents us everywhere.<br /> | :That will not leave us, but prevents us everywhere.<br /> | ||
::(from ''East Coker'', ''Four Quartets'')<ref>http://www.ubriaco.com/fq.html</ref> | ::(from ''East Coker'', ''Four Quartets'')<ref>http://www.ubriaco.com/fq.html</ref> | ||
| − | + | ==Bibliography== | |
| + | * Clinton A. Brand. "The Voice of This Calling: The Enduring Legacy of T. S. Eliot," ''Modern Age'' Volume 45, Number 4; Fall 2003 [http://www.mmisi.org/ma/45_04/brand.pdf online edition], conservative perspective | ||
==References== | ==References== | ||
<references/> | <references/> | ||
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[[Category:Nobel laureates in Literature]] | [[Category:Nobel laureates in Literature]] | ||
[[category:Poets]] | [[category:Poets]] | ||
| + | [[category:Conservatives]] | ||
Revision as of 15:19, December 8, 2008
Thomas Stearns Eliot (1888-1965) was an American-born British poet, playwright, and literary critic. He was a dominant force in the English and American literary scene during the middle third of the twentieth century, and presented a powerful conservative voice. Some of his works include The Waste Land[1] in 1922, and "The Journey of the Magi" in 1927. He studied at Oxford, Paris, and Harvard. He won the Nobel Prize for literature.
T. S. Eliot was born and grew up in St. Louis, Missouri, from a prominent intellectual family of Yankee origins. But in adulthood he moved to England. In 1927 he renounced his American citizenship, became a British subject, and converted to Anglicanism. He described himself as "classicist in literature, royalist in politics, and Anglo-Catholic in religion." Eliot's religious views are most notably contained in the poem Ash Wednesday, which he wrote in 1927 after his conversion, and particularly in the Four Quartets. These were four related poems published separately between 1935 and 1942, and republished in one volume in 1943. Their titles are Burnt Norton,[2] East Coker,[3] The Dry Salvages,[4] and Little Gidding.[5]
Eliot considered Four Quartets to be his masterpiece. It draws upon his study, over three decades, of mysticism and philosophy. Christian imagery and symbolism in the poems is abundant.
Notable plays include The Cocktail Party, which concerns a group of contemporary people talking about their marital and other problems, and who are counseled by a mysterious character, ostensibly a psychiatrist; and Murder in the Cathedral, about the death of Thomas Becket.
Excerpts
Some famous lines from T. S. Eliot that are often alluded to or quoted include:
- Shall I part my hair behind? Do I dare to eat a peach?
- I shall wear white flannel trousers, and walk upon the beach
- I have heard the mermaids singing, each to each.
- I do not think that they will sing to me.
- (from "The Love Song of J. Alfred Prufrock")[6]
- This is the way the world ends
- Not with a bang but a whimper.
- (from "The Hollow Men")[7]
- April is the cruellest month, breeding
- Lilacs out of the dead land, mixing
- Memory and desire, stirring
- Dull roots with spring rain.
- (from The Waste Land)[8]
- The whole earth is our hospital
- Endowed by the ruined millionaire,
- Wherein, if we do well, we shall
- Die of the absolute paternal care
- That will not leave us, but prevents us everywhere.
- (from East Coker, Four Quartets)[9]
Bibliography
- Clinton A. Brand. "The Voice of This Calling: The Enduring Legacy of T. S. Eliot," Modern Age Volume 45, Number 4; Fall 2003 online edition, conservative perspective
References
- ↑ http://www.artofeurope.com/eliot/eli3.htm
- ↑ http://www.tristan.icom43.net/quartets/norton.html
- ↑ http://www.tristan.icom43.net/quartets/coker.html
- ↑ http://www.tristan.icom43.net/quartets/salvages.html
- ↑ http://www.tristan.icom43.net/quartets/gidding.html
- ↑ http://www.artofeurope.com/eliot/eli1.htm
- ↑ http://www.artofeurope.com/eliot/eli2.htm
- ↑ http://www.artofeurope.com/eliot/eli3.htm
- ↑ http://www.ubriaco.com/fq.html