Difference between revisions of "Lionel Trilling"
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A Communist when young, Trilling turned anti-communist in the 1930s. Trilling was an architect of liberal anti-communism and political pluralism who sought a reasoned moderation as the antithesis to Soviet communism. Rejecting his Jewish heritage he became an advocate of secularism. | A Communist when young, Trilling turned anti-communist in the 1930s. Trilling was an architect of liberal anti-communism and political pluralism who sought a reasoned moderation as the antithesis to Soviet communism. Rejecting his Jewish heritage he became an advocate of secularism. | ||
| + | Initially known as a scholar of Victorian and modern British fiction, his influence grew after 1945, reaching its peak in the early 1950s after the publication of his most brilliant work, ''The Liberal Imagination'' (1950), and declining somewhat between 1965 and 1975 when he was seen either as an elder literary statesman or as a kind of dusty intellectual monument. Since his death his legacy has been claimed by both Left and Right, but the intricacy and dualities of his work ensure that he will remain a quietly controversial' figure within American intellectual life.<ref> Rodden (1996)</ref> | ||
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| + | ==Neoconservatism== | ||
Trilling's novel ''The Middle of the Journey'' (1947) contains the ideological dilemmas out of which the [[neoconservative]] movement would grow in the 1970s. One main character is based on his college friend [[Whittaker Chambers]]. The origins of this movement lie in the novel's subject, the break with Communism. Trilling was Jewish, as were many neoconservative intellectuals, but his novel is conspicuous for its lack of Jewish characters. The novel's ideological content helps to explain this. Trilling made a stark separation between religious conservatism and the secular liberalism to which he personally adhered. He foresaw the ways in which anticommunism would legitimate both liberalism and conservatism, yet his novel offered no room for its characters to synthesize ethnicity or religion with involvement in the modern world. The absence of Jewish characters allowed Trilling to explore a liberalism uncomplicated by religion or ethnicity. Jewish neoconservatives perpetuated the anti-Communist world of Trilling in 1947, but they discovered within it the possibility of being Jewish, conservative, and modern; hence the complexity of Trilling's relationship to them.<ref> see Kimmage, ''The Conservative Turn: Lionel Trilling, Whittaker Chambers and the Lessons of Anti-Communism'' (2009)</ref> | Trilling's novel ''The Middle of the Journey'' (1947) contains the ideological dilemmas out of which the [[neoconservative]] movement would grow in the 1970s. One main character is based on his college friend [[Whittaker Chambers]]. The origins of this movement lie in the novel's subject, the break with Communism. Trilling was Jewish, as were many neoconservative intellectuals, but his novel is conspicuous for its lack of Jewish characters. The novel's ideological content helps to explain this. Trilling made a stark separation between religious conservatism and the secular liberalism to which he personally adhered. He foresaw the ways in which anticommunism would legitimate both liberalism and conservatism, yet his novel offered no room for its characters to synthesize ethnicity or religion with involvement in the modern world. The absence of Jewish characters allowed Trilling to explore a liberalism uncomplicated by religion or ethnicity. Jewish neoconservatives perpetuated the anti-Communist world of Trilling in 1947, but they discovered within it the possibility of being Jewish, conservative, and modern; hence the complexity of Trilling's relationship to them.<ref> see Kimmage, ''The Conservative Turn: Lionel Trilling, Whittaker Chambers and the Lessons of Anti-Communism'' (2009)</ref> | ||
==Further reading== | ==Further reading== | ||
| − | * Kimmage, Michael. ''The Conservative Turn: Lionel Trilling, Whittaker Chambers and the Lessons of Anti-Communism'' (2009) | + | * Kimmage, Michael. ''The Conservative Turn: Lionel Trilling, Whittaker Chambers and the Lessons of Anti-Communism'' (2009), by a conservative scholar |
| + | * Rodden, John. "The Opposing Selves of Lionel Trilling," ''Modern Age'' 1996 38(2): 164-174. , by a conservative scholar [http://www.mmisi.org/ma/38_02/rodden.pdf online edition] | ||
* [http://www.questia.com/library/literature/literary-theory/literary-theorists-and-critics/lionel-trilling.jsp online books and articles from Questia] | * [http://www.questia.com/library/literature/literary-theory/literary-theorists-and-critics/lionel-trilling.jsp online books and articles from Questia] | ||
Revision as of 02:37, October 12, 2009
Lionel Trilling (1905-1975) was a highly influential American literary critic and Professor of English at Columbia University in New York. His most influential book was The Liberal Imagination: Essays on Literature and Society (1950).
A Communist when young, Trilling turned anti-communist in the 1930s. Trilling was an architect of liberal anti-communism and political pluralism who sought a reasoned moderation as the antithesis to Soviet communism. Rejecting his Jewish heritage he became an advocate of secularism.
Initially known as a scholar of Victorian and modern British fiction, his influence grew after 1945, reaching its peak in the early 1950s after the publication of his most brilliant work, The Liberal Imagination (1950), and declining somewhat between 1965 and 1975 when he was seen either as an elder literary statesman or as a kind of dusty intellectual monument. Since his death his legacy has been claimed by both Left and Right, but the intricacy and dualities of his work ensure that he will remain a quietly controversial' figure within American intellectual life.[1]
Neoconservatism
Trilling's novel The Middle of the Journey (1947) contains the ideological dilemmas out of which the neoconservative movement would grow in the 1970s. One main character is based on his college friend Whittaker Chambers. The origins of this movement lie in the novel's subject, the break with Communism. Trilling was Jewish, as were many neoconservative intellectuals, but his novel is conspicuous for its lack of Jewish characters. The novel's ideological content helps to explain this. Trilling made a stark separation between religious conservatism and the secular liberalism to which he personally adhered. He foresaw the ways in which anticommunism would legitimate both liberalism and conservatism, yet his novel offered no room for its characters to synthesize ethnicity or religion with involvement in the modern world. The absence of Jewish characters allowed Trilling to explore a liberalism uncomplicated by religion or ethnicity. Jewish neoconservatives perpetuated the anti-Communist world of Trilling in 1947, but they discovered within it the possibility of being Jewish, conservative, and modern; hence the complexity of Trilling's relationship to them.[2]
Further reading
- Kimmage, Michael. The Conservative Turn: Lionel Trilling, Whittaker Chambers and the Lessons of Anti-Communism (2009), by a conservative scholar
- Rodden, John. "The Opposing Selves of Lionel Trilling," Modern Age 1996 38(2): 164-174. , by a conservative scholar online edition
- online books and articles from Questia