Jacques Derrida wrote that history and language have always been traditionally full of privileged dualities of terms, such as order/chaos, high/low, and even good/bad. Among these has been the pairing of speaking/writing, which emphasized a historically logocentric (or speech-focused) approach to literature. In support of this, he indicates the vocal patterning which evidences itself amongst the written word, found within such literary devices as dialogue, which functions as an awkward attempt to mimic vocal exchanges via the written word, and accordingly is intrinsically less natural. | Jacques Derrida wrote that history and language have always been traditionally full of privileged dualities of terms, such as order/chaos, high/low, and even good/bad. Among these has been the pairing of speaking/writing, which emphasized a historically logocentric (or speech-focused) approach to literature. In support of this, he indicates the vocal patterning which evidences itself amongst the written word, found within such literary devices as dialogue, which functions as an awkward attempt to mimic vocal exchanges via the written word, and accordingly is intrinsically less natural. |