Block, SkipCaptcha, Automoderated users, Bots, edit
57,719
edits
Changes
Jump to navigation
Jump to search
Line 4:
Line 4: − +
→top: clean up & uniformity
The '''contrabassoon''', or double bassoon is even larger and lower in [[pitch]]. Its range is exactly one [[octave]] below the bassoon, but is written in the same range, thus making it a [[transposing instrument]]. (See [[Oboe]] family.)
The '''contrabassoon''', or double bassoon is even larger and lower in [[pitch]]. Its range is exactly one [[octave]] below the bassoon, but is written in the same range, thus making it a [[transposing instrument]]. (See [[Oboe]] family.)
The bassoon, also known as "''fagotto''" in Italian, is a highly versatile and agile instrument despite its large size. Its low notes can "speak" clearly and quickly, making it a good compliment to other bass instruments in [[orchestra|orchestral]] scoring, where it often shares the same part as the [[cello]].
The bassoon, also known as "''fagotto''" in Italian, is a highly versatile and agile instrument despite its large size. Its low notes can "speak" clearly and quickly, making it a good compliment to other bass instruments in [[orchestra]]l scoring, where it often shares the same part as the [[cello]].
Some famous pieces containing prominent bassoon parts include: "''Peter and the Wolf''", by [[Sergei Prokofiev]] and Paul Dukas' ''Sorcerer's Apprentice'' (which also has solo passages for contrabassoon). [[Concerto]]s have also been written for it, the most famous being by [[Mozart]], but also by [[Carl Maria von Weber]], [[Vivaldi]] (who wrote 37!), Johann Nepomuk Hummel, and Franz Danzi. [[Igor Stravinsky]] also opened his famous ballet ''Le Sacre du Printemps'' with an exposed bassoon solo in its highest register, causing it to be mistaken for a [[saxophone]] in its first performance.
Some famous pieces containing prominent bassoon parts include: "''Peter and the Wolf''", by [[Sergei Prokofiev]] and Paul Dukas' ''Sorcerer's Apprentice'' (which also has solo passages for contrabassoon). [[Concerto]]s have also been written for it, the most famous being by [[Mozart]], but also by [[Carl Maria von Weber]], [[Vivaldi]] (who wrote 37!), Johann Nepomuk Hummel, and Franz Danzi. [[Igor Stravinsky]] also opened his famous ballet ''Le Sacre du Printemps'' with an exposed bassoon solo in its highest register, causing it to be mistaken for a [[saxophone]] in its first performance.