Changes

*''Final Fantasy II:'' In initial releases for the game, the game had an undeniably pro-Christian element to the games, and also condemned Satanic worshippers and totalitarianism in the form of the game's main villain Emperor Mateus Palamecia, who explicitly goes to Hell when he dies and tries to take over the world with the powers he gained from Hell. However, the remakes starting with the GBA version added in a new mode called "Dawn of Souls" which has the killed party members fighting against the Emperor's light half who took over Heaven, which could be interpreted as an anti-Christian message.

*''Final Fantasy II:'' In initial releases for the game, the game had an undeniably pro-Christian element to the games, and also condemned Satanic worshippers and totalitarianism in the form of the game's main villain Emperor Mateus Palamecia, who explicitly goes to Hell when he dies and tries to take over the world with the powers he gained from Hell. However, the remakes starting with the GBA version added in a new mode called "Dawn of Souls" which has the killed party members fighting against the Emperor's light half who took over Heaven, which could be interpreted as an anti-Christian message.

*''Final Fantasy VI:'' Promotes parenthood due to Terra Branford becoming a mother figure for the Mobliz orphans late into the game, which also had her learning the concept of love, and also showcases the horrors of totalitarian ideologies in the form of the Gestahlian Empire, and also offers a condemnation of [[nihilism]] in the form of the game's main antagonist Kefka Palazzo (who is depicted in a similar manner to [[Joker (comics)|the Joker]] from the Batman franchise). However, Terra also makes a more relativistic remark when trying to refute Kefka regarding finding meanings in things.

*''Final Fantasy VI:'' Promotes parenthood due to Terra Branford becoming a mother figure for the Mobliz orphans late into the game, which also had her learning the concept of love, and also showcases the horrors of totalitarian ideologies in the form of the Gestahlian Empire, and also offers a condemnation of [[nihilism]] in the form of the game's main antagonist Kefka Palazzo (who is depicted in a similar manner to [[Joker (comics)|the Joker]] from the Batman franchise). However, Terra also makes a more relativistic remark when trying to refute Kefka regarding finding meanings in things.

*''Final Fantasy VII:'' Promotes the concept of redemption and condemns unethical science in the form of Professor Hojo, but on the other hand, it also has a more anti-Capitalist view on things with Shin-Ra, the main antagonists, being a corporation, and is hinted to promote environmentalism due to the main protagonists being eco-terrorists.

*''Final Fantasy VII:'' Promotes the concept of redemption and condemns unethical science in the form of Professor Hojo, but on the other hand, it also has a more anti-Capitalist view on things with Shin-Ra, the main antagonists, being a corporation, and is hinted to promote environmentalism due to the main protagonists being eco-terrorists. The whole game nature is very homoerotic, and one of the game missions involves cross-dressing. Moreover, the main character of the game, Cloud is hugely popular with corrupt liberal game journalists as a symbol of the "toxic masculinity" deconstruction.

===Ubisoft===

===Ubisoft===