| | :*I enjoyed several of his films, FYI. Roger and Me, I actually own. However, legitimate footage, edited and altered to depict events that never happened as he said, when he said they happened, well that is fiction. Your moral compass seems a bit off, and I would have it checked. A lie, by any other name, is still a lie, no? Gently, nicely, ''respectfully'', I tell you that the matter is now considered closed. --~ [[User:TK|<small>Sysop-</small>TK]] <sub>[[User_talk:TK|/MyTalk]]</sub> 04:15, 21 April 2007 (EDT) | | :*I enjoyed several of his films, FYI. Roger and Me, I actually own. However, legitimate footage, edited and altered to depict events that never happened as he said, when he said they happened, well that is fiction. Your moral compass seems a bit off, and I would have it checked. A lie, by any other name, is still a lie, no? Gently, nicely, ''respectfully'', I tell you that the matter is now considered closed. --~ [[User:TK|<small>Sysop-</small>TK]] <sub>[[User_talk:TK|/MyTalk]]</sub> 04:15, 21 April 2007 (EDT) |
| | + | ::While I concede that, as you say, Moore does have a problem with depicting events as happening differently than they may have, it is done only for the same reason any documentarian makes any film at all, which is to argue a point. If he's incorrect, even consciously so, that's as it may be, but he is not as a result making a work of fiction, or a pseudo-documentary. Something like "Death of a President" that uses actual footage of GWBush to pretend he was assassinated and filming people's reaction to it, that can be called a pseudo-documentary since its presenting a central point which is entirely fictive, and acknowledged so by the filmmakers. However, though you may disagree with the central thesis of, for instance, F911, that doesnt make the film a work of fiction.--[[User:RexMundane|RexMundane]] 10:45, 21 April 2007 (EDT) |