| − | |[[Jane Fonda]] "art film" directed by [[Jean-Luc Godard]], whose notoriously anti-American and idolizes [[Karl Marx]], is nothing more then a propaganda film for Communism, as it sympathizes with the youths who partook in the May 1968 Communist uprisings in [[France]] and features blunt anti-American imagery. | + | |[[Jane Fonda]] "art film" directed by [[Jean-Luc Godard]], whose notoriously anti-American and idolizes [[Karl Marx]], is nothing more than a propaganda film for Communism, as it sympathizes with the youths who partook in the May 1968 Communist uprisings in [[France]] and features blunt anti-American imagery. |
| − | |Blatantly promotes excessive, endless drug use, portraying it in a positive light and claiming that illegal drugs such as heroin give people the will to keep working hard and stay focused and positive, as well as various forms of graphic and illicit sexual activity and voyeurism, (both heterosexual and in one scene, homosexual) and non-stop use of the f-word and hundreds of other profanities throughout. Portrays capitalists on [[Wall Street]] as greedy self-absorbed criminals obsessed with sex, drugs and violence in the form of the protagonist Jordan Belfort. Many audiences were shocked that this did not receive an 'NC-17' rating upon it's release, especially since morality-deprived director [[Martin Scorsese]] broke the ''[[South Park]]'' movie's record for most uses of the f-word with his film. Christina McDowell, the daughter of Tom Prousalis, one of the people involved in Belfort's crimes, wrote a memoir on the subject specifically to call out Scorsese and DiCaprio for failing to recognize the victims of Belfort in the film, something even the most praiseworthy critics of the film admitted was a flaw. | + | |Blatantly promotes excessive, endless drug use, portraying it in a positive light and claiming that illegal drugs such as heroin give people the will to keep working hard and stay focused and positive, as well as various forms of graphic and illicit sexual activity and voyeurism, (both heterosexual and in one scene, homosexual) and non-stop use of the f-word and hundreds of other profanities throughout. Portrays capitalists on [[Wall Street]] as greedy self-absorbed criminals obsessed with sex, drugs and violence in the form of the protagonist Jordan Belfort. Many audiences were shocked that this did not receive an 'NC-17' rating upon its release, especially since morality-deprived director [[Martin Scorsese]] broke the ''[[South Park]]'' movie's record for most uses of the f-word with his film. Christina McDowell, the daughter of Tom Prousalis, one of the people involved in Belfort's crimes, wrote a memoir on the subject specifically to call out Scorsese and DiCaprio for failing to recognize the victims of Belfort in the film, something even the most praiseworthy critics of the film admitted was a flaw. |
| − | |Luis Bunuel was an atheist and was a bigot towards Christians. He would unjustly ridicule Christians in all of his movies and was a pioneer in making this schlock being considered art when it is really just liberal smut. | + | |Luis Buñuel was an atheist and was a bigot towards Christians. He would unjustly ridicule Christians in all of his movies and was a pioneer in making this schlock being considered art when it is really just liberal smut. |