Changes

|TVTokyo (1997-present; Japan only); UPN-69 (1998-1999); Kids WB (1999-2007); Cartoon Network (2007-2016); Disney XD (2016-present)

|TVTokyo (1997-present; Japan only); UPN-69 (1998-1999); Kids WB (1999-2007); Cartoon Network (2007-2016); Disney XD (2016-present)

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|An anime adapted from a series of hugely popular trading cards and video games. The first few seasons showcased several conservative messages, including the strife to succeed even when the odds are considered insurmountable, as well as showing parental neglect and abandonment in a negative light in regards to the characters Brock and Misty, and to a certain extent one of the main villains Jessie. In addition, in the first season at least, there were also a few Christian references from Brock and Misty, and to some extent James. Pro-family values are present due to Misty becoming a mother to Togepi, and Brock also intending to aid his family when his parents weren't around due to the latter abandoning their children (or, in the case of the dub, the father abandoning them and the mother dying), only joining Ash after his father, Flint, returned and encouraged Brock to pursue his dreams. Was also anti-[[Hollywood Values]] as well, as the episode "Go West Young Meowth" showcases the more depraved nature of Hollywood, including at least one bickering couple, and does not treat it in a positive light, nor does Meowth's sweetheart, Meowzie, an epitome of Hollywood values, come across in a flattering light, with it also being heavily implied that this was the reason Meowth turned to villainy. One episode of DP also has an implicit condemnation of the homosexual agenda due to Brock calling Pikachu and Piplup (both of whom are confirmed male in an earlier episode) having an attraction to each other "unnatural." However, during later seasons, the conservative elements are pushed to the side and seem to promote more liberal agendas, including having the various female characters starting with May (most of whom are ten years old and thus still children) essentially act as sexual fanservice according to then-director Masamitsu Hidaka, as well as later on the story's refusal to allow Ash to win a league despite it being necessary to have him become a Pokémon Master (with the most infamous example of this being the Ash vs. Alain fight in the final round of the Kalos League, which had Ash losing against Alain despite the series, including the actual Japanese episode title for the battle in question, all but strongly implying the exact opposite), and eventually by Sun and Moon outright ignoring said goal altogether, thus resulting in a more nihilistic view of Ash's goal. In addition, a running gag since Hoenn and to some extent Johto has Brock constantly chasing women and trying to ask them out, depicting him as a womanizer in a more comedic light. Moreover, the concept of friendships that was strongly emphasized in prior seasons eventually got phased out due to them essentially dropping characters after each season with barely a reference to them.

|An anime adapted from a series of hugely popular trading cards and video games. The first few seasons showcased several conservative messages, including the strife to succeed even when the odds are considered insurmountable, as well as showing parental neglect and abandonment in a negative light in regards to the characters Brock and Misty, and to a certain extent one of the main villains Jessie. In addition, in the first season at least, there were also a few Christian references from Brock and Misty, and to some extent James. Pro-family values are present due to Misty becoming a mother to Togepi, and Brock also intending to aid his family when his parents weren't around due to the latter abandoning their children (or, in the case of the dub, the father abandoning them and the mother dying), only joining Ash after his father, Flint, returned and encouraged Brock to pursue his dreams. Was also anti-[[Hollywood Values]] as well, as the episode "Go West Young Meowth" showcases the more depraved nature of Hollywood, including at least one bickering couple, and does not treat it in a positive light, nor does Meowth's sweetheart, Meowzie, an epitome of Hollywood values, come across in a flattering light, with it also being heavily implied that this was the reason Meowth turned to villainy. One episode of DP also has an implicit condemnation of the homosexual agenda due to Brock calling Pikachu and Piplup (both of whom are confirmed male in an earlier episode) having an attraction to each other "unnatural." However, during later seasons, the conservative elements are pushed to the side and seem to promote more liberal agendas, including having the various female characters starting with May (most of whom are ten years old and thus still children) essentially act as sexual fanservice according to then-director Masamitsu Hidaka, as well as later on the story's refusal to allow Ash to win a league despite it being necessary to have him become a Pokémon Master (with the most infamous example of this being the Ash vs. Alain fight in the final round of the Kalos League, which had Ash losing against Alain despite the series, including the actual Japanese episode title for the battle in question, all but strongly implying the exact opposite), and eventually by Sun and Moon delaying having Ash resume his goal until nearly 40 episodes later, thus resulting in a more nihilistic view of Ash's goal. In addition, a running gag since Hoenn and to some extent Johto has Brock constantly chasing women and trying to ask them out, depicting him as a womanizer in a more comedic light. Moreover, the concept of friendships that was strongly emphasized in prior seasons eventually got phased out due to them essentially dropping characters after each season with barely a reference to them.

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|''Police Woman''

|''Police Woman''