Changes

|NBC  

|NBC  

|TV-G

|TV-G

|The world famous, long-running Bill Cosby sitcom promoting good family values.

|The world-famous, long-running Bill Cosby sitcom promoting good family values.

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|''The Critic''

|''The Critic''

|A&E

|A&E

|TV-PG

|TV-PG

|This reality series portrays the lives of the Robertson family, who famously turned duck calls into the magnificent business empire Duck Commander, stand by their strong Christian beliefs, and are active hunters. Liberals despise this series so much that they conducted two ploys to damage this wholesome show's reputation. First, in the series' early days, the liberal parent network A&E censored any use of the word "Jesus" in the prayers that close most episodes. Second, in December of 2013, the staunchly liberal magazine Gentleman's Quarterly (GQ) infamously tricked patriarch Phil Robertson, who founded the family business, into being open about his conservative, anti-homosexual values, which led to Phil (who is not uneducated, as he holds a master's degree in education) being suspended from appearing in further episodes for nine days. The magazine also accused Phil of being racist simply because he said he never saw the mistreatment of any African American person in his younger days during the Civil Rights era. Poor Phil wasn't saying that he wasn't unaware of the prevalent race issues the 1960s but that he grew up in an area where people lived and worked in harmony regardless of skin color, so he witnessed no acts of racism ''in person''.

|This reality series portrays the lives of the Robertson family, who famously turned duck calls into the magnificent business empire Duck Commander, stand by their strong Christian beliefs, and are active hunters. Liberals despise this series so much that they conducted two ploys to damage this wholesome show's reputation. First, in the series' early days, the liberal parent network A&E censored any use of the word "Jesus" in the prayers that close most episodes. Second, in December 2013, the staunchly liberal magazine Gentleman's Quarterly (GQ) infamously tricked patriarch Phil Robertson, who founded the family business, into being open about his conservative, anti-homosexual values, which led to Phil (who is not uneducated, as he holds a master's degree in education) being suspended from appearing in further episodes for nine days. The magazine also accused Phil of being racist simply because he said he never saw the mistreatment of any African American person in his younger days during the Civil Rights era. Poor Phil wasn't saying that he wasn't unaware of the prevalent race issues the 1960s but that he grew up in an area where people lived and worked in harmony regardless of skin color, so he witnessed no acts of racism ''in person''.

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|''Emergency!''  

|''Emergency!''  

|FX Network

|FX Network

|TV-MA

|TV-MA

|Deputy US Marshal Raylan Givens, a 19th century-style tough cowboy lawman, enforces his own brand of justice when dealing with criminals of all kinds in the hill country of eastern Kentucky.  His boss, the Chief Deputy US Marshal Art Mullen, is played by Nick Searcy, a noted conservative actor.  The most recent season has frequent reflections on Christianity and being loved and saved by God.

|Deputy US Marshal Raylan Givens, a 19th-century-style tough cowboy lawman, enforces his own brand of justice when dealing with criminals of all kinds in the hill country of eastern Kentucky.  His boss, the Chief Deputy US Marshal Art Mullen, is played by Nick Searcy, a noted conservative actor.  The most recent season has frequent reflections on Christianity and being loved and saved by God.

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|''Karol: A Man Who Became Pope''

|''Karol: A Man Who Became Pope''

|Kids WB

|Kids WB

|TV-Y7

|TV-Y7

|Based off of the 2001 animated/live-action film ''Osmosis Jones'', this cartoon portrays human white blood cells positively as police officers who fight germs (anthropomorphized into hoodlums). Educational by nature, it teaches young audiences about human anatomy better than the [[United States Department of Education|Department of Education]] ever could.

|Based on the 2001 animated/live-action film ''Osmosis Jones'', this cartoon portrays human white blood cells positively as police officers who fight germs (anthropomorphized into hoodlums). Educational by nature, it teaches young audiences about human anatomy better than the [[United States Department of Education|Department of Education]] ever could.

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|''Phineas and Ferb''

|''Phineas and Ferb''

|Sci-fi

|Sci-fi

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|

|A sequel series to the film ''Stargate'', most of its main villains were extra-terrestrials who posed as various pagan gods (namely greek, roman, Egyptian, and Babylonian), and Colonel O'Neill was implied to be religious a few times. It is also to be noted that the Christian God is noted to be exempted from the main villains. That being said, however, it does occasionally mix up the Middle Ages with the Dark Ages, and in later seasons it does make a few jabs at then-President George W. Bush.

|A sequel series to the film ''Stargate'', most of its main villains were extraterrestrials who posed as various pagan gods (namely Greek, Roman, Egyptian, and Babylonian), and Colonel O'Neill was implied to be religious a few times. It is also to be noted that the Christian God is noted to be exempted from the main villains. That being said, however, it does occasionally mix up the Middle Ages with the Dark Ages, and in later seasons it does make a few jabs at then-President George W. Bush.

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|''[[Supergirl (TV series)|Supergirl]]'' (first season only)

|''[[Supergirl (TV series)|Supergirl]]'' (first season only)

|CBS (first season)

|CBS (first season)

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|

|The show had some liberal elements, such as promoting the feminist agenda to some extent, and also having a degree of forced multiculturalism (eg, turning Jimmy Olsen into a black man when he was originally a red-headed Caucasian in the comics). However, it also has some conservative elements to the show, namely pro-family messages, as well as the character Cat Grant in one episode expressing some regret for the fact that, when she got pregnant out of wedlock, she chose her career over her child (it should be noted that this would have been against the feminist agenda, since adherents to feminism generally reject any indication that a woman can't be satisfied by anything besides a career, especially being satisfied with having children and/or holding any remorse for giving up their child in favor of their careers.). The same episode also had her trying to reconnect with her child, who by that time was an adult, with Kara Danvers suggesting she reconnect with him, giving the implication that she ultimately carried him to birth despite choosing her career over her child, acting as a subtle condemnation towards abortion and a promotion of the right to life. In addition, environmentalism is depicted in a more negative manner due to the main villains, surviving Kryptonian prisoners at Fort Rozz, being sentenced there due to engaging in environmental terrorism in an attempt to save Krypton, and Kara Zor-El's uncle, Non, being an unrepentant mass murderer. It also has a condemnation of terrorism as well as crime, as most of the first season's story arc dealt with locating and stopping various Fort Rozz escapees from causing any carnage on Earth, with most of the criminals being portrayed negatively, and even the sole Fort Rozz villain who does end up being portrayed sympathetically is made clear to have given up crime, subtly promoting the concept of redemption. The DEO also acts as a subtle allegory to ICE agents and border patrol and is portrayed as largely a force of good, which also hints at a promotion of national borders. The two-part season finale also dealt with the main villains' plan, Myriad, which involved mass mind-control which likewise had those affected by it making statements that eerily paralleled the statements made by liberal ideology.<ref>https://www.newsbusters.org/blogs/culture/karen-townsend/2016/04/12/supergirl-shows-liberal-fantasy-where-mind-control-answer</ref> Note that this only applies with the first season of ''Supergirl'', as starting with the second season upon its move to the CW, it went hard-left in its political and social views (see its entry in [[Essay:Worst Liberal TV Shows#The worst liberal television shows|Worst Liberal TV Shows]] for more information).

|The show had some liberal elements, such as promoting the feminist agenda to some extent, and also having a degree of forced multiculturalism (e.g., turning Jimmy Olsen into a black man when he was originally a red-headed Caucasian in the comics). However, it also has some conservative elements to the show, namely pro-family messages, as well as the character Cat Grant in one episode expressing some regret for the fact that, when she got pregnant out of wedlock, she chose her career over her child (it should be noted that this would have been against the feminist agenda, since adherents to feminism generally reject any indication that a woman can't be satisfied by anything besides a career, especially being satisfied with having children and/or holding any remorse for giving up their child in favor of their careers.). The same episode also had her trying to reconnect with her child, who by that time was an adult, with Kara Danvers suggesting she reconnect with him, giving the implication that she ultimately carried him to birth despite choosing her career over her child, acting as a subtle condemnation towards abortion and a promotion of the right to life. In addition, environmentalism is depicted in a more negative manner due to the main villains, surviving Kryptonian prisoners at Fort Rozz, being sentenced there due to engaging in environmental terrorism in an attempt to save Krypton, and Kara Zor-El's uncle, Non, being an unrepentant mass murderer. It also has a condemnation of terrorism as well as crime, as most of the first season's story arc dealt with locating and stopping various Fort Rozz escapees from causing any carnage on Earth, with most of the criminals being portrayed negatively, and even the sole Fort Rozz villain who does end up being portrayed sympathetically is made clear to have given up crime, subtly promoting the concept of redemption. The DEO also acts as a subtle allegory to ICE agents and border patrol and is portrayed as largely a force of good, which also hints at a promotion of national borders. The two-part season finale also dealt with the main villains' plan, Myriad, which involved mass mind-control which likewise had those affected by it making statements that eerily paralleled the statements made by liberal ideology.<ref>https://www.newsbusters.org/blogs/culture/karen-townsend/2016/04/12/supergirl-shows-liberal-fantasy-where-mind-control-answer</ref> Note that this only applies with the first season of ''Supergirl'', as starting with the second season upon its move to the CW, it went hard-left in its political and social views (see its entry in [[Essay:Worst Liberal TV Shows#The worst liberal television shows|Worst Liberal TV Shows]] for more information).

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|''The Twilight Zone''  

|''The Twilight Zone''