Changes

|Cameron Diaz stars as an awful high school teacher, who is always getting high and drunk, tries to get breast-implant surgery, and encourages cheating and stealing from her students. The movie contains no [[morals]] and is filled with offensive sexual content.

|Cameron Diaz stars as an awful high school teacher, who is always getting high and drunk, tries to get breast-implant surgery, and encourages cheating and stealing from her students. The movie contains no [[morals]] and is filled with offensive sexual content.

| $100,292,856

| $100,292,856

|-

|-

|''Beginners''

|''Beginners''

|2017

|2017

|PG

|PG

|On the one hand, the 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning easy revenue and capitalizing on current film trends in the modern, soulless Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity and promote some liberal values within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion in the cast of characters is that it feels self-congratulatory in the sense of putting it all in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston (although it should be noted that in the actual script, it was never actually specified that LeFou was homosexual.<ref>https://www.usatoday.com/story/life/entertainthis/2017/03/03/josh-gad-lefou-beauty-and-the-beast/98679284/</ref>). At the end of the film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's siege of the Beast's castle.  

|On the one hand, the 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning easy revenue and capitalizing on current film trends in the modern, soulless Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity and promote some liberal values within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion in the cast of characters is that it feels self-congratulatory in the sense of putting it all in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston (although it should be noted that in the actual script, it was never actually specified that LeFou was homosexual.<ref>https://www.usatoday.com/story/life/entertainthis/2017/03/03/josh-gad-lefou-beauty-and-the-beast/98679284/</ref>). This resulted in AFA's One Million Moms division responding to the change by calling for a boycott of the movie. At the end of the film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's siege of the Beast's castle.  

Not only is it an atrocious and needless artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' also serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films. Adding salt to the wound, the filmmakers also further changed history to suit their feminist agenda, similar to previous Disney films like ''Mulan'' (1998), ''Pocahontas'' (1995) and ''The Princess and the Frog'' (2009) (most infamously, the villagers are shown to be explicitly intolerant of Belle learning how to read and teaching girls to do the same, smashing her washing machine in the process, despite the fact that the namesake for the village in this film, Mdm. Gabrielle-Suzanne Barbot de Villeneuve, the original author for the fairy tale, was herself a woman). The 2017 film version of ''Beauty and the Beast'' is now even more of a feminist propaganda film than the 1991 animated film version ever was. There were also hints at an anti-war message due to Gaston being turned into a war veteran.

Not only is it an atrocious and needless artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' also serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films. Adding salt to the wound, the filmmakers also further changed history to suit their feminist agenda, similar to previous Disney films like ''Mulan'' (1998), ''Pocahontas'' (1995) and ''The Princess and the Frog'' (2009) (most infamously, the villagers are shown to be explicitly intolerant of Belle learning how to read and teaching girls to do the same, smashing her washing machine in the process, despite the fact that the namesake for the village in this film, Mdm. Gabrielle-Suzanne Barbot de Villeneuve, the original author for the fairy tale, was herself a woman). The 2017 film version of ''Beauty and the Beast'' is now even more of a feminist propaganda film than the 1991 animated film version ever was. There were also hints at an anti-war message due to Gaston being turned into a war veteran.