| | Wilson successfully led Congress to a series of [[Progressive]] laws, including a reduced tariff, stronger antitrust laws, the [[Federal Reserve System]], hours-and-pay benefits for railroad workers, and outlawing of child labor, raising wages for adults. Furthermore, constitutional amendments for prohibition and woman suffrage were passed in his second term. In effect, Wilson laid to rest the issues of tariffs, money and antitrust that had dominated politics for 40 years. | | Wilson successfully led Congress to a series of [[Progressive]] laws, including a reduced tariff, stronger antitrust laws, the [[Federal Reserve System]], hours-and-pay benefits for railroad workers, and outlawing of child labor, raising wages for adults. Furthermore, constitutional amendments for prohibition and woman suffrage were passed in his second term. In effect, Wilson laid to rest the issues of tariffs, money and antitrust that had dominated politics for 40 years. |
| − | In 1915 the epic [[Hollywood]] film, ''Birth of a Nation'' was released with its portrayal of black men, many played by white actors in blackface, as unintelligent and sexually aggressive towards white women, and the portrayal of the [[Ku Klux Klan]] (KKK) as an heroic force.<ref>[http://www.moviejustice.com/vault/index.php?p=getitem&db_id=4&item_id=27 MJ Movie Reviews – Birth of a Nation, The (1915) by Dan DeVore] {{webarchive |url=https://web.archive.org/web/20090707194449/http://www.moviejustice.com/vault/index.php?p=getitem&db_id=4&item_id=27 |date=July 7, 2009 }}</ref><ref>{{cite web|url=http://themovingarts.com/revered-and-reviled-d-w-griffiths-the-birth-of-a-nation/|first=Eric M.|last=Armstrong|title=Revered and Reviled: D.W. Griffith's 'The Birth of a Nation'|work=The Moving Arts Film Journal|date=February 26, 2010|accessdate=|deadurl=yes|archiveurl=https://web.archive.org/web/20100529224316/http://themovingarts.com/revered-and-reviled-d-w-griffiths-the-birth-of-a-nation/|archivedate=|df=mdy-all}}</ref> It was the first American motion picture to be screened inside the [[White House]], viewed there by President [[Woodrow Wilson]], members of his cabinet, and their families.<ref>{{harvnb|Stokes|2007|p=[https://books.google.com/books?id=fGJFpiTjbKwC&pg=PA111&lpg=PA111&dq=%22operators+wearing+full+evening+dress+utilized%22&source=bl&ots=AOFjf60Rc_&sig=GJ-f9FVH8MfOtgnzIJLQV_3l-DU&hl=en&sa=X&ei=_m5hUMf9JI-whAfz6oCQAg&ved=0CDMQ6AEwAA#v=onepage&q=%22operators%20wearing%20full%20evening%20dress%20utilized%22&f=false 111]}}</ref> In a letter to the White House press secretary the author of ''The Clansman: A Historical Romance of the Ku Klux Klan'' which the film is based,<ref name="Franklin pages 417-434">Franklin, John Hope "''The Birth of a Nation'': Propaganda as History" pages 417–434 from ''The Massachusetts Review'' Volume 20, No. 3, Autumn 1979 page 421.</ref> wrote: {{cquote|"The real purpose of my film was to revolutionize Northern sentiments by a presentation of history that would transform every man in the audience into a good Democrat...Every man who comes out of the theater is a Southern partisan for life!"<ref name="Franklin_430">Franklin, John Hope "''The Birth of a Nation'': Propaganda as History" pages 417–434 from ''The Massachusetts Review'' Volume 20, No. 3, Autumn 1979 page 430.</ref>}} | + | In 1915 the epic [[Hollywood]] film, ''Birth of a Nation'' was released with its portrayal of black men, many played by white actors in blackface, as unintelligent and sexually aggressive towards white women, and the portrayal of the [[Ku Klux Klan]] (KKK) as an heroic force.<ref>[http://www.moviejustice.com/vault/index.php?p=getitem&db_id=4&item_id=27 MJ Movie Reviews – Birth of a Nation, The (1915) by Dan DeVore] {{webarchive |url=https://web.archive.org/web/20090707194449/http://www.moviejustice.com/vault/index.php?p=getitem&db_id=4&item_id=27 |date=July 7, 2009 }}</ref><ref>{{cite web|url=http://themovingarts.com/revered-and-reviled-d-w-griffiths-the-birth-of-a-nation/|first=Eric M.|last=Armstrong|title=Revered and Reviled: D.W. Griffith's 'The Birth of a Nation'|work=The Moving Arts Film Journal|date=February 26, 2010|accessdate=|deadurl=yes|archiveurl=https://web.archive.org/web/20100529224316/http://themovingarts.com/revered-and-reviled-d-w-griffiths-the-birth-of-a-nation/|archivedate=|df=mdy-all}}</ref> It was the first American motion picture to be screened inside the [[White House]], viewed there by Wilson, members of his cabinet, and their families.<ref>{{harvnb|Stokes|2007|p=[https://books.google.com/books?id=fGJFpiTjbKwC&pg=PA111&lpg=PA111&dq=%22operators+wearing+full+evening+dress+utilized%22&source=bl&ots=AOFjf60Rc_&sig=GJ-f9FVH8MfOtgnzIJLQV_3l-DU&hl=en&sa=X&ei=_m5hUMf9JI-whAfz6oCQAg&ved=0CDMQ6AEwAA#v=onepage&q=%22operators%20wearing%20full%20evening%20dress%20utilized%22&f=false 111]}}</ref> In a letter to the White House press secretary the author of ''The Clansman: A Historical Romance of the Ku Klux Klan'' which the film is based,<ref name="Franklin pages 417-434">Franklin, John Hope "''The Birth of a Nation'': Propaganda as History" pages 417–434 from ''The Massachusetts Review'' Volume 20, No. 3, Autumn 1979 page 421.</ref> wrote: {{cquote|"The real purpose of my film was to revolutionize Northern sentiments by a presentation of history that would transform every man in the audience into a good Democrat...Every man who comes out of the theater is a Southern partisan for life!"<ref name="Franklin_430">Franklin, John Hope "''The Birth of a Nation'': Propaganda as History" pages 417–434 from ''The Massachusetts Review'' Volume 20, No. 3, Autumn 1979 page 430.</ref>}} |
| | In a letter to President Wilson, Thomas Dixon Jr., who authored the book and screenplay, boasted: | | In a letter to President Wilson, Thomas Dixon Jr., who authored the book and screenplay, boasted: |