As the empire's power waned in the first two decades of the 20th century, new developments in art centered in Vienna showed undercurrents of unease and dread. In painting, the [[Expressionist]] works of [[Egon Schiele]] and [[Gustav Klimt]] seemed to foreshadow the city's decline. In music, the Second Viennese School comprising [[Arnold Schoenberg]], [[Alban Berg]], and [[Anton Webern]] stretched tonal dissolution and thematic complexity all the way past its breaking point, and after the First World War tried to put it back together again under new rules, in much the same way that Vienna was searching for her relevance after the fall of the empire. | As the empire's power waned in the first two decades of the 20th century, new developments in art centered in Vienna showed undercurrents of unease and dread. In painting, the [[Expressionist]] works of [[Egon Schiele]] and [[Gustav Klimt]] seemed to foreshadow the city's decline. In music, the Second Viennese School comprising [[Arnold Schoenberg]], [[Alban Berg]], and [[Anton Webern]] stretched tonal dissolution and thematic complexity all the way past its breaking point, and after the First World War tried to put it back together again under new rules, in much the same way that Vienna was searching for her relevance after the fall of the empire. |