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→Animated Films
|2010
|2010
|PG
|PG
|This animated film about wolves promotes disorderly conduct based on the zany antics of an omega wolf named Humphrey. It can also be seen as pro-environmentalist because some members of the wolf pack try to start eating berries instead of caribou, despite wolves being natural carnivores. Alpha wolves are portrayed in an elitist light for being determined and hardworking. One female wolf named Kate can be described as a modern feminist. Similar to the other liberal film, ''Open Season,'' it spawned multiple unneeded direct-to-video sequels. It is also somewhat comparable to the other liberal film, ''Barnyard: The Original Party Animals'', but in that movie's case, it had a subsequent television series, ''Back at the Barnyard'', rather than film sequels.
|This animated film about wolves promotes disorderly conduct based on the zany antics of an omega wolf named Humphrey. It can also be seen as pro-environmentalist because some members of the wolf pack try to start eating berries instead of caribou, despite wolves being natural carnivores. Alpha wolves are portrayed in an elitist light for being determined and hardworking. One female wolf named Kate can be described as a modern feminist. Like the other liberal film, ''Open Season,'' it spawned multiple unnecessary direct-to-video sequels. It is also somewhat comparable to the other liberal film, ''Barnyard: The Original Party Animals'', but in that movie's case, it had a subsequent television series, ''Back at the Barnyard'', rather than film sequels.
|$25,107,267
|$25,107,267
|-
|-
|2013-2017
|2013-2017
|PG
|PG
|These direct-to-video sequels follow the characters from the first ''Alpha and Omega'' movie and show the same themes from that film. The sequels encourage disobedient behavior, for the pups of Kate and Humphrey are snarky brats who ignore their parents telling them to stay at home; they even try justifying this by telling their parents in the sixth movie that they get into "situations" by being told to be kind and caring. An instance of racism is shown in the fifth film by three porcupines being told to be friends because they look alike.
|These direct-to-video sequels follow the characters from the first ''Alpha and Omega'' movie and show the same themes from that film. The sequels encourage disobedient behavior, for the pups of Kate and Humphrey are snarky brats who ignore their parents' orders to stay at home; they even try to justify this in the sixth movie by claiming they get into "situations" because they're told to be kind and caring. An instance of racism is shown in the fifth film by three porcupines being told to be friends because they look alike.
|N/A (Direct to Video)
|N/A (Direct to Video)
|-
|-
|To debut in 2026
|To debut in 2026
|PG
|PG
|Shockingly distributed by Angel Studios, Andy Serkis's adaptation for ''Animal Farm'' seems to go against a lot of what the original story stood for: becoming a generic kids' movie with a sinister undertone. This cautionary tale about communism has been turned into a screed against capitalism, with Pilkington (reimagined as a woman for this adaptation) being a blatant expy of Elon Musk, showing that the left has never forgiven Musk for teaming up with President Donald Trump. This also implies that the pigs only turned evil because of capitalism. It was met with complete derision by both sides of the political aisle, some joking that the windmill in the movie would be a generator fueled by Orwell "rolling in his grave."
|Shockingly distributed by Angel Studios, Andy Serkis's adaptation for ''[[Animal Farm]]'' seems to go against a lot of what the original story stood for: becoming a generic kids' movie with a sinister undertone. This cautionary tale about communism has been turned into a screed against capitalism, with Pilkington (reimagined as a woman in this adaptation) serving as a blatant expy of Elon Musk, showing that the left has never forgiven Musk for teaming up with President Donald Trump. This also implies that the pigs only turned evil because of capitalism; while Orwell himself had criticisms of capitalism, the movie's message keeps getting hammered over the audience's head. It was met with complete derision by both sides of the political aisle, some joking that the windmill in the movie would be a generator fueled by Orwell "rolling in his grave."
|TBA
|TBA
|-
|-
|2010
|2010
|PG
|PG
|A goofy meerkat and a pacifistic lion journey with other animals from around the world (a polar bear, two tortoises, a kangaroo, a Tasmanian devil, and a rooster) to take down a dam built by humans, which had caused the Okavango Delta to dry up. This movie, based on a children's book, promotes a heavy environmentalist message, with the animals saying that all humans are causing harm worldwide (like causing a polar bear's snowy home to melt and letting the Outback catch on fire). The movie's ending amps up the environmental message to eleven, with many animals storming the cities and news reporters saying the animals will make humans pay for ruining the world.
|A goofy meerkat and a pacifistic lion journey with other animals from around the world (a polar bear, two tortoises, a kangaroo, a Tasmanian devil, and a rooster) to take down a dam built by humans, which had caused the Okavango Delta to dry up. This movie, based on a children's book, promotes a heavy environmentalist message, with the animals saying that all humans are causing harm worldwide (such as melting a polar bear's snowy home and setting the Outback on fire). The movie's ending amps up the environmental message to eleven, with many animals storming the cities and news reporters saying the animals will make humans pay for ruining the world.
|£2,133,051
|£2,133,051
|-
|-
|1998
|1998
|G
|G
|This film, unlike the other three ''American Tail'' films, definitely has a liberal bent. Not only does it vilify businessmen (though it, I suppose, was mocking the Robber Barons and might have had some merit in that regard.) What is harder to excuse is pushing the point of white/European guilt of what happened to the Native Americans, even making Fievel, who himself fled from a bad situation in Russia, somehow feel responsible for the plight of the Native American mice. This film and the negative reception were ultimately responsible for the death of the ''American Tail'' franchise.
|This film, unlike the other three ''American Tail'' films, definitely has a liberal bent. Not only does it vilify businessmen (though it, I suppose, was mocking the Robber Barons and might have had some merit in that regard) What is harder to excuse is pushing the point of white/European guilt of what happened to the Native Americans, even making Fievel, who himself fled from a bad situation in Russia, somehow feel responsible for the plight of the Native American mice. This film and the negative reception were ultimately responsible for the death of the ''American Tail'' franchise.
|N/A (direct to video)
|N/A (direct to video)
|-
|-
|2012
|2012
|PG
|PG
|One of Pixar's less memorable animations stars Merida, a feminist Medieval Scottish princess who refuses to marry, believing it will cause her to lose her life of archery and adventure, thus demonstrating poor family values throughout. Of course, because this is a feminist propaganda piece, the men in the film are oafish compared to the women, too. Egregiously, Merida was added to the Disney Princess lineup regardless of the poor morals she demonstrates throughout the film and being created by Pixar, not by Disney directly. It also has a setting similar to the Great Conservative Film ''How to Train Your Dragon'', released two years before.
|One of Pixar's less memorable animations stars Merida, a feminist Medieval Scottish princess who refuses to marry, believing it will cause her to lose her life of archery and adventure, thus demonstrating poor family values throughout. Of course, because this is a feminist propaganda piece, the men in the film are oafish compared to the women, too. Egregiously, Merida was added to the Disney Princess lineup regardless of the poor morals she demonstrates throughout the film, and was created by Pixar, not by Disney directly. It also has a setting similar to the Great Conservative Film ''How to Train Your Dragon'', which was released two years earlier.
|$540.4 million
|$540.4 million
|-
|-
|2022
|2022
|PG
|PG
|Described as a [[gay]] ''[[Toy Story]]'', filled with pro-[[homosexual]] propaganda for kids. Produced by [[Disney]], this film ignores all the events from the great conservative film about Buzz Lightyear released twenty-two years prior.
|Described as a [[gay]] ''[[Toy Story]]'', filled with pro-[[homosexual]] propaganda for kids. Produced by [[Disney]], this film ignores all the events from the great conservative film about Buzz Lightyear, released 22 years earlier.
|disappointing $55M opening
|disappointing $55M opening
|-
|-
|2015
|2015
|PG
|PG
|This spinoff prequel to the ''Despicable Me'' films begins with the "evolution" of the minions, which flies in the face of the creationist truth. The film shows the minions evolving from single-cell organisms in the ocean, suggesting that God does not exist. This film also glorifies criminality. Not to mention, it seems to sympathize with a family that has robbed a bank, an action which is congruent with the liberal idea of not working hard for wealth. A sequel was released in 2022 called ''The Rise of Gru''.
|This spinoff prequel to the ''Despicable Me'' films begins with the "evolution" of the minions, which flies in the face of the creationist truth. The film shows the minions evolving from single-cell organisms in the ocean, suggesting that God does not exist. This film also glorifies criminality. Not to mention, it seems to sympathize with a family that has robbed a bank, an action which is congruent with the liberal idea of not working hard for wealth. A sequel, titled ''The Rise of Gru'', was released in 2022.
|$1.159 billion
|$1.159 billion
|-
|-
|2016
|2016
|PG
|PG
|This poorly received animation casts an environmentalist polar bear as the hero and vilifies major businesses through a greedy real estate mogul, in a possible jab at Donald Trump. Three sequels promoting the same environmental message have been released since 2019.
|This poorly received animation casts an environmentalist polar bear as the hero and vilifies major businesses through a greedy real estate mogul, possibly as a jab at Donald Trump. Three sequels promoting the same environmental message have been released since 2019.
|$24.8 million
|$24.8 million
|-
|-
|2006
|2006
|PG
|PG
|Although conservative star Gary Sinise appears, environmentalism and hate speech against hunters run rampant. It had gotten three sequels since then, each lowering in quality.
|Although conservative star Gary Sinise appears, environmentalism and hate speech against hunters run rampant. It has had three sequels since then, each of lower quality.
|$85,105,259
|$85,105,259
|-
|-
|2012
|2012
|PG
|PG
|The very ending of the film pulls a swerve and reveals that one of the characters, Mitch Downe, as being homosexual, ignoring the fact that he was not even implied to be that earlier. This decision had been made by the director Chris Butler.
|The very ending of the film pulls a swerve and reveals that one of the characters, Mitch Downe, is homosexual, ignoring the fact that he was not even implied to be that earlier. This decision had been made by the director Chris Butler.
|$107.1 million
|$107.1 million
|-
|-
|1998
|1998
|G
|G
|This revisionist take on Arthurian legend throws everything that makes the source material great (Christianity, heroism, bravery, etc.) out the window for the sake of advocating feminism and wanting to be as worthy a Disney animated musical film (Warner Bros produced this film), only to be panned by critics in the end. Even though it's supposed to be a G-rated family comedy, an incest joke appears as well.<ref>https://www.imdb.com/character/ch0100869/quotes</ref>
|This revisionist take on Arthurian legend throws everything that makes the source material great (Christianity, heroism, bravery, etc.) out the window for the sake of advocating feminism and wanting to be as worthy as a Disney animated musical film (Warner Bros produced this film), only to be panned by critics in the end. Even though it's supposed to be a G-rated family comedy, an incest joke appears as well.<ref>https://www.imdb.com/character/ch0100869/quotes</ref>
|$22,510,798
|$22,510,798
|-
|-
|2016
|2016
|R
|R
|As the first R-rated American animated film to be released by a major film studio in the United States following 1999's ''South Park: Bigger, Longer, and Uncut'', ''Sausage Party'' blatantly criticizes religion and deceives audiences into thinking that, without religion and the existence of God, everyone can enjoy the most selfish, crude, and debauched activities (e.g. humanism, homosexuality, obscenity, and non-stop sexual intercourse) without guilt or a sense of a "religious obligation". Made by Nitrogen Studios. A typical offensive and raunchy comedy film by modern Hollywood standards, directors Conrad Vernon and Greg Tiernan, producer Megan Ellison, producer/writer Evan Goldberg, and producer/writer/actor Seth Rogen (all of them fiercely liberal and some, ironically, of Jewish origin) made this film to bastardize the animation genre, as well as to push the liberal Hollywood agenda on politics and religion. For the past century, animated feature films have enthralled and enhanced audiences worldwide, as the best ones tell timely stories that children, teenagers, and adults alike can relate to and enjoy. The makers of ''Sausage Party'' seemed to not care about any of this, as they made this untimely film strictly for adults and believed that there aren't and should be any animated films for adults only to enjoy. Their warped belief is made very clear by the film's criticism and parody of many other animated films (namely Disney animations) and the presence of regular Disney collaborator Alan Menken as the film's songwriter. Altogether, ''Sausage Party'' is painfully unfunny and has virtually no plot or philosophical merit. Only liberally biased film critics praised the film upon release, while general audiences were repulsed by it.
|As the first R-rated American animated film to be released by a major film studio in the United States following 1999's ''South Park: Bigger, Longer, and Uncut'', ''Sausage Party'' blatantly criticizes religion and deceives audiences into thinking that, without religion and the existence of God, everyone can enjoy the most selfish, crude, and debauched activities (e.g. humanism, homosexuality, obscenity, and non-stop sexual intercourse) without guilt or a sense of a "religious obligation". Made by Nitrogen Studios. A typical offensive and raunchy comedy film by modern Hollywood standards, directors Conrad Vernon and Greg Tiernan, producer Megan Ellison, producer/writer Evan Goldberg, and producer/writer/actor Seth Rogen (all of them fiercely liberal and some, ironically, of Jewish origin) made this film to bastardize the animation genre, as well as to push the liberal Hollywood agenda on politics and religion. For the past century, animated feature films have enthralled and enhanced audiences worldwide, as the best ones tell timely stories that children, teenagers, and adults alike can relate to and enjoy. The makers of ''Sausage Party'' seemed not to care about any of this, as they made this untimely film strictly for adults and believed that there aren't animated films for adults only to enjoy. Their warped belief is made very clear by the film's criticism and parody of many other animated films (namely Disney animations) and the presence of regular Disney collaborator Alan Menken as the film's songwriter. Altogether, ''Sausage Party'' is painfully unfunny and has virtually no plot or philosophical merit. Only liberal-biased film critics praised the film upon its release, while general audiences were repulsed by it.
On a side note, ''Sausage Party'' has attracted much criticism on two additional issues. First, the animators worked under poor, cruel conditions and were forced by the directors to work overtime without pay. Thirty-six of the 83 animators were blacklisted and went uncredited in the film, believed to be due to their complaints; comments made in anonymous interviews of some of the animators involved in the project by ''Variety'', ''The Washington Post'', and ''The Hollywood Reporter'' alleged that the comments were accurate. All the animators in the film were told outright that they would be blacklisted if they did not work overtime without pay. Second, a red-band trailer for the film was accidentally played before a showing of the Walt Disney Pictures/Pixar Animation Studios' PG-rated and family-oriented ''Finding Dory'', at a Concord, California multiplex in mid-June 2016.<ref>http://ew.com/article/2016/06/29/theater-plays-sausage-party-trailer-before-finding-dory-apologizes/</ref> The theater staff had forgotten to switch out an adult-audience trailer roll for one meant for G and PG-rated films, when adding additional screens to carry ''Finding Dory'' to meet audience demand. The incident occurred only once, and the theater apologized, while Rogen [[Twitter|tweeted]] that the story "made his day".
On a side note, ''Sausage Party'' has attracted much criticism on two additional issues. First, the animators worked under poor, cruel conditions and were forced by the directors to work overtime without pay. Thirty-six of the 83 animators were blacklisted and went uncredited in the film, believed to be due to their complaints; comments made in anonymous interviews of some of the animators involved in the project by ''Variety'', ''The Washington Post'', and ''The Hollywood Reporter'' alleged that the comments were accurate. All the animators in the film were told outright that they would be blacklisted if they did not work overtime without pay. Second, a red-band trailer for the film was accidentally played before a showing of the Walt Disney Pictures/Pixar Animation Studios' PG-rated and family-oriented ''Finding Dory'', at a Concord, California multiplex in mid-June 2016.<ref>http://ew.com/article/2016/06/29/theater-plays-sausage-party-trailer-before-finding-dory-apologizes/</ref> The theater staff had forgotten to switch out an adult-audience trailer roll for one meant for G and PG-rated films, when adding additional screens to carry ''Finding Dory'' to meet audience demand. The incident occurred only once, and the theater apologized, while Rogen [[Twitter|tweeted]] that the story "made his day".
|2004
|2004
|Not Rated
|Not Rated
|The notorious sequel to ''The Legend of the Titanic'' stars the first movie's characters trying to find the sunken [[RMS Titanic]] only to be taken to the mythical city of Atlantis. This North Korean film paints being held prisoner positively, for the king of Atlantis forces the main characters to stay in Atlantis forever. Don Juan willingly submits to being taken prisoner and coerces his companions to do the same. It also shows disrespect towards the tragedy of the Titanic and those who died on that night by referring to the Titanic as "mythical." Family values are even tossed aside when the main characters are more concerned about seeing Atlantis again than their families back home. A sequel TV series was released in 2011 with the same bad values and strange nature.
|The notorious sequel to ''The Legend of the Titanic'' stars the first movie's characters trying to find the sunken [[RMS Titanic]] only to be taken to the mythical city of Atlantis. This North Korean film portrays being held prisoner positively, for the king of Atlantis forces the main characters to stay in Atlantis forever. Don Juan willingly submits to being taken prisoner and coerces his companions to do the same. It also shows disrespect towards the tragedy of the Titanic and those who died on that night by referring to the Titanic as "mythical." Family values are even set aside when the main characters are more concerned with seeing Atlantis again than with their families back home. A sequel TV series was released in 2011 with the same bad values and strange nature.
|€4,000,000
|€4,000,000
|-
|-
|2022
|2022
|PG (should be PG-13)
|PG (should be PG-13)
|The film encourages rebellion against parents and is full of suggestive humor and unsuitable themes for children.
|The film encourages rebellion against parents and is full of suggestive humor and unsuitable themes for children. The movie even ends with Mei-Li blatantly telling her mother, "My panda, my choice," a slogan used by pro-abortionists.
|$13.4 million
|$13.4 million
|-
|-
|2023
|2023
|PG
|PG
|The Walt Disney Company's 100th-anniversary film has the hero (Asha) team up with a fallen star to stop the evil King Magnifico from not granting all the wishes that people give him. While Magnifico is the villain of this film, some viewers feel he has a point in not granting every single wish, since some of those wishes could be used for more nefarious purposes. Furthermore, the film says humans come from stardust, which goes against basic theology.
|The Walt Disney Company's 100th-anniversary film has the hero (Asha) team up with a fallen star to stop the evil King Magnifico from not granting all the wishes that people give him. While Magnifico is the villain of this film, some viewers feel he has a point in not granting every wish, since some could be used for more nefarious purposes. Furthermore, the film claims that humans come from stardust, which contradicts basic theology.
| N/A (Has yet to be released)
| N/A (Has yet to be released)
|-
|-