| | The first style of rock which grew from this was the loud, distorted [[blues]] sound created by [[San Francisco]] based [[psychedelia]] band, '''Blue Cheer''', whose influence on electric blues bands could be seen from [[Cream (rock band)|Cream]] to [[Jimi Hendrix]] to '''ZZ Top'''. The second style was [[progressive rock]], which in 1968 was led by [[England|English]] band '''King Crimson''', combining jazz, classical, experimental, psychedelic and folk music. The precursor to this sound was [[The Beatles]], arguably the first band to leave the standard rock format, creating longer song structures, many of which were narrative or [[opera|neo-operatic]]. This was the main inspiration for later bands such as '''Camel''', [[Genesis (band)|Genesis]] and [[Yes (band)|Yes]]. | | The first style of rock which grew from this was the loud, distorted [[blues]] sound created by [[San Francisco]] based [[psychedelia]] band, '''Blue Cheer''', whose influence on electric blues bands could be seen from [[Cream (rock band)|Cream]] to [[Jimi Hendrix]] to '''ZZ Top'''. The second style was [[progressive rock]], which in 1968 was led by [[England|English]] band '''King Crimson''', combining jazz, classical, experimental, psychedelic and folk music. The precursor to this sound was [[The Beatles]], arguably the first band to leave the standard rock format, creating longer song structures, many of which were narrative or [[opera|neo-operatic]]. This was the main inspiration for later bands such as '''Camel''', [[Genesis (band)|Genesis]] and [[Yes (band)|Yes]]. |
| − | The third strand of rock music was the emerging "dark rock" epitomized by [[The Doors]]. Where other rock bands had focused on love or peace, the Doors brought a [[Nietzsche]]-inspired morbid subconscious psychedelia to rock music, and were the origins of much of the neo-[[Romanticism]] which later bloomed into heavy metal. | + | The third strand of rock music was the emerging "dark rock" epitomized by [[The Doors]]. Where other rock bands had focused on love or peace, the Doors brought a [[Friedrich Nietzsche|Nietzsche]]-inspired morbid subconscious psychedelia to rock music, and were the origins of much of the neo-[[Romanticism]] which later bloomed into heavy metal. |
| | By 1969, the influence of these seminal artists had saturated those parts of the public consciousness which were focused on rock music as a developing art form, and contributed to the explosion of hard rock by, for example, [[Led Zeppelin]] and [[Deep Purple]] and the so-called "proto-metal" of '''Black Sabbath'''. This year is now seen as the watershed for loud forms of rock, which hybridized in the next decade and became the Heavy metal as recognized today. | | By 1969, the influence of these seminal artists had saturated those parts of the public consciousness which were focused on rock music as a developing art form, and contributed to the explosion of hard rock by, for example, [[Led Zeppelin]] and [[Deep Purple]] and the so-called "proto-metal" of '''Black Sabbath'''. This year is now seen as the watershed for loud forms of rock, which hybridized in the next decade and became the Heavy metal as recognized today. |