| Line 1: |
Line 1: |
| − | '''Heavy metal''' is a genre of rock music, characterized by its loudness and aggressiveness. | + | '''Heavy metal''' is a musical genre that was developed mainly in the United States of America and the United Kingdom, heavy metal is primarily noted for an emphasis on distortion, palm muting, aggressive lyrical content, bass-heavy sounds, as well as the influence of blues scales and classical structures. Heavy Metal has also spawned numerous sub genres which omit or improve upon standard technique, or invent new one altogether, giving heavy metal as a genre an impressive variety of styles and sounds. Heavy metal's origins are both rooted in the cultural upheavals that occurred during the 1960s, such as the conflict in Vietnam and the reevaluation and mass rejection of previous social schema, and the enormous influence of bands such as [[The Jimi Hendrix Experience]], [[Led Zeppelin]], and [[Black Sabbath]] that are regarded as proto-metal as well as hard rock. Other musical influences include psychedelic rock, blues rock, and the still developing progressive rock genre. Though heavy metal intially borrowed heavily from the blues in terms of playing style, this was later largely discarded by future metal acts such as [[Judas Priest]]. |
| − | It emerged from bands like [[King Crimson]], [[Black Sabbath]] and [[Led Zeppelin]], amid the [[society|social]] upheavals of the late 1960s. [[Rock and roll|Rock music]] was by then being recorded and [[marketing|marketed]] as a counterculture which opposed the normal and functional culture that was dominant in society, a marketing [[strategy]] which mirrored the developmental process of [[adolescent]]s, the main audience for rock music, who first reject the world of their parents, then once independent may or may not re-assess their own values, and finally rejoin society on the terms of these recreated values.
| |
| | | | |
| − | The first style of rock which grew from this was the loud, distorted [[blues]] sound created by [[San Francisco]] based [[psychedelia]] band, '''Blue Cheer''', whose influence on electric blues bands could be seen from [[Cream (rock band)|Cream]] to [[Jimi Hendrix]] to '''ZZ Top'''. The second style was [[progressive rock]], which in 1968 was led by [[England|English]] band '''King Crimson''', combining jazz, classical, experimental, psychedelic and folk music. The precursor to this sound was [[The Beatles]], arguably the first band to leave the standard rock format, creating longer song structures, many of which were narrative or [[opera|neo-operatic]]. This was the main inspiration for later bands such as '''Camel''', [[Genesis (band)|Genesis]] and [[Yes (band)|Yes]]. | + | The first style of rock which grew from this was distorted [[blues]] sound created by [[San Francisco]] based [[psychedelia]] band, '''Blue Cheer''', whose influence on electric blues bands could be seen from [[Cream (rock band)|Cream]] to [[Jimi Hendrix]] to '''ZZ Top'''. The second style was [[progressive rock]], which in 1968 was led by [[England|English]] band '''King Crimson''', combining jazz, classical, experimental, psychedelic and folk music. The precursor to this sound was [[The Beatles]], arguably the first band to leave the standard rock format, creating longer song structures, many of which were narrative or [[opera|neo-operatic]]. This was the main inspiration for later bands such as '''Camel''', [[Genesis (band)|Genesis]] and [[Yes (band)|Yes]]. |
| | | | |
| − | The third strand of rock music was the emerging "dark rock" epitomized by [[The Doors]]. Where other rock bands had focused on love or peace, the Doors brought a [[Friedrich Nietzsche|Nietzsche]]-inspired morbid subconscious psychedelia to rock music, and were the origins of much of the neo-[[Romanticism]] which later bloomed into heavy metal.
| + | By 1969, the influence of these seminal artists had saturated those parts of the public consciousness which were focused on rock music as a developing art form, and contributed to the explosion of hard rock by, for example, [[Led Zeppelin]] and [[Deep Purple]] and the so-called "proto-metal" of '''Black Sabbath'''. This year is now seen as the watershed moment in the development of what soon became heavy metal. |
| | | | |
| − | By 1969, the influence of these seminal artists had saturated those parts of the public consciousness which were focused on rock music as a developing art form, and contributed to the explosion of hard rock by, for example, [[Led Zeppelin]] and [[Deep Purple]] and the so-called "proto-metal" of '''Black Sabbath'''. This year is now seen as the watershed for loud forms of rock, which hybridized in the next decade and became the Heavy metal as recognized today.
| + | Black Sabbath originally began as an electric blues outfit named "Earth", but after discovering there was already a band using that name, changed to Black Sabbath after the 1964 [[Boris Karloff]] movie of the same name. Developing a new sound that was born both out of a change in attitude and the loss of lead Guitarist Tony Iommi's finger tips, Black Sabbath are largely credited with developing the more heavily distorted and crunchy elements that later became staples of the heavy metal style. |
| − | | |
| − | Black Sabbath originally started out as an electric blues band named "Earth", but after discovering there was already a band using that name they changed it, inspired by a poster for the 1964 [[Boris Karloff]] movie ''Black Sabbath''. Developing a new sound, drawing on the neo-[[Gothic]] [[nihilism]] of The Doors but relying almost exclusively on power chords, a bassier distortion and the narrative structures of progressive rock, they achieved almost immediate success both on the radio and in record stores. | |
| | | | |
| | ==1970s== | | ==1970s== |
| − | In 1973 the leading exponents of heavy metal were undoubtedly Led Zeppelin, Deep Purple, and Black Sabbath, each having a technical prowess and a compositional inventiveness unseen before in mainstream popular music. This era also marked the beginning of the use of Satanic imagery and of the spectacular, energetic live shows which became a hallmark of heavy metal. Led Zeppelin's [[guitar|guitarist]] Jimmy Page had a strong personal fascination with the [[occult]], while many of Black Sabbath's lyrics dealt with it as well. Unlike many future bands, however, Black Sabbath never claimed to be Satanic. Singer Ozzy Osbourne claims that they were actually looking for a way to tap into the success and popularity of the horror genre, where people willingly paid to see a movie or read a novel intended solely to frighten them; to do so, they began to purposely write dark, ominous songs in an attempt to be music's answer to horror films. | + | In 1973 the leading exponents of heavy metal were undoubtedly Led Zeppelin, Deep Purple, and Black Sabbath, each having a technical prowess and a compositional inventiveness unseen before in mainstream popular music. This era also marked the beginnings of Satanic imagery and of the spectacular, energetic live shows which became a hallmark of later heavy metal spin offs. Led Zeppelin's [[guitar|guitarist]] Jimmy Page had a strong personal fascination with the [[occult]], while many of Black Sabbath's lyrics dealt with it as well. Unlike many future bands, however, Black Sabbath never claimed to be Satanic. Singer Ozzy Osbourne claims that they were actually looking for a way to tap into the success and popularity of the horror genre, where people willingly paid to see a movie or read a novel intended solely to frighten them; to do so, they began to purposely write dark, ominous songs in an attempt to be music's answer to horror films. |
| | | | |
| | Live shows were becoming bigger and more theatrical, notably Led Zeppelin's "rock till you drop" performances lasting two hours, and Alice Cooper's colossal shows following in the American tradition of the Ringling Bros. and Barnum & Bailey Circus, promising "The Greatest Show On Earth". Cooper's shows featured boa constrictors, horrific freak-show mannequins, and dramatic fake-beheading scenes. Other key artists that emerged at this time included High Tide, Black Cat Bones, Black Widow, Uriah Heep, UFO and Blue Oyster Cult, and glam rockers Kiss. Each of the four members of Kiss took the on-stage persona of a cartoon-like character using elaborate face make-up and a science fiction style clothing. Another American band, Aerosmith, took the basic R 'n' B and rock 'n' roll structures of bands such as the Faces and Rolling Stones and transformed them into a new harder form. The late 70s saw a decline in the popularity of heavy metal, as the Punk movement, beginning in 1976, dominated the musical counterculture. | | Live shows were becoming bigger and more theatrical, notably Led Zeppelin's "rock till you drop" performances lasting two hours, and Alice Cooper's colossal shows following in the American tradition of the Ringling Bros. and Barnum & Bailey Circus, promising "The Greatest Show On Earth". Cooper's shows featured boa constrictors, horrific freak-show mannequins, and dramatic fake-beheading scenes. Other key artists that emerged at this time included High Tide, Black Cat Bones, Black Widow, Uriah Heep, UFO and Blue Oyster Cult, and glam rockers Kiss. Each of the four members of Kiss took the on-stage persona of a cartoon-like character using elaborate face make-up and a science fiction style clothing. Another American band, Aerosmith, took the basic R 'n' B and rock 'n' roll structures of bands such as the Faces and Rolling Stones and transformed them into a new harder form. The late 70s saw a decline in the popularity of heavy metal, as the Punk movement, beginning in 1976, dominated the musical counterculture. |
| Line 19: |
Line 16: |
| | | | |
| | ==Criticism== | | ==Criticism== |
| | + | |
| | + | Due to its association with the counter culture movement and the more extreme forms that it has taken over the years, heavy metal has faced criticism from parents groups, school administrators, politicians, music critics, and religious organizations. |
| | | | |
| | A musicologist wrote: | | A musicologist wrote: |