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| | The '''British Broadcasting Corporation''' (BBC) is the major national public service broadcaster of the [[United Kingdom]]. It is the leading broadcaster in the UK and is the largest broadcaster in the world by audience figures. | | The '''British Broadcasting Corporation''' (BBC) is the major national public service broadcaster of the [[United Kingdom]]. It is the leading broadcaster in the UK and is the largest broadcaster in the world by audience figures. |
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| − | It was founded in 1922 as the British Broadcasting Company. In 1927 it was reconstituted under its current name as a public corporation. Its headquarters are in [[London]].
| + | BBC was given a royal charter in 1927 as a public body; it replaced a private, commercially run British Broadcasting Company, which began in 1922. The royal charter and license, constitute the BBC as a public corporation with a mandate to provide broadcasting as a public service. BBC is funded by an annual license fee levied on all UK owning a television set. The BBC's monopoly on lasted from 1922 until 1973 and the introduction of commercial radio. It monopolized television from 1936 to 1954, when the Television Act allowed for the establishment of commercial stations financed by spot advertising. |
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| | The BBC is often criticized for political bias, particularly [[liberal]], and for being overly [[politically correct]]. | | The BBC is often criticized for political bias, particularly [[liberal]], and for being overly [[politically correct]]. |
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| | == Funding == | | == Funding == |
| − | The BBC is a Crown corporation supported by a licensing fee applied to television owners<ref>http://www.bbc.co.uk/info/licencefee/</ref> of £135.50 (US$270 approx) per year. All owners of TV receiving equipment are obliged to pay the fee whether they watch BBC content or not. As such it is often criticised as being a tax. | + | The BBC is a Crown corporation supported by a licensing fee applied to television owners<ref>http://www.bbc.co.uk/info/licencefee/</ref> of £135.50 (about $250 ) per year. All owners of TV receiving equipment are obliged to pay the fee whether they watch BBC content or not. As such the license fee is often criticised as being a tax. |
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| − | In theory, funding by the licence fee means that BBC programming is free of advertising. However, it has some obligations to transmit statements by political parties and it advertises its own programmes, but BBC channels transmitted in the UK are nevertheless free of commercial advertising - with the exception of sporting events, during which it is still permitted to display commercial advertising. Cricket matches were a previous source of contention as adverts projected onto the field of play are only visible to television viewers. This results in much greater non-advertising broadcasting time and uninterrupted broadcast of feature films. However, since the funding is determined by the government, the BBC can be slow to criticise those in power. This arrangement means the government has to do very little to apply pressure on the BBC and often the BBC will self regulate in favour of the government without any formal instruction being given.<ref>http://www.publications.parliament.uk/pa/ld200506/ldselect/ldbbc/50/5006.htm</ref> This in turn leads to the government and the BBC being able to declare independence and neutrality officially, while in reality this is far from the case.
| + | BBC programming is free of commercial advertising. However, it has some obligations to transmit statements by political parties and it advertises its own programmes. BBC channels transmitted in the UK are nevertheless free of commercial advertising - with the exception of sporting events, during which it is still permitted to display commercial advertising. Cricket matches were a previous source of contention as adverts projected onto the field of play are only visible to television viewers. This results in much greater non-advertising broadcasting time and uninterrupted broadcast of feature films. However, since the funding is determined by the government, the BBC can be slow to criticise those in power. This arrangement means the government has to do very little to apply pressure on the BBC and often the BBC will self regulate in favour of the government without any formal instruction being given.<ref>http://www.publications.parliament.uk/pa/ld200506/ldselect/ldbbc/50/5006.htm</ref> This in turn leads to the government and the BBC being able to declare independence and neutrality officially, while in reality this is far from the case. |
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| | While there is a vocal campaign to have the BBC changed into a commercial company, this appears highly unlikely to happen. | | While there is a vocal campaign to have the BBC changed into a commercial company, this appears highly unlikely to happen. |
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| | == Ownership == | | == Ownership == |
| − | The BBC is an independent body which is held in trust for the British people. | + | The BBC is an independent body which is held in trust for the British people. The BBC was most recently given a ten-year royal charter in 2006 that defines its purposes and allows it to act somewhat autonomously, free from commercial and government influence. |
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| − | The BBC has a ten-year royal charter that defines its purposes and allows it to act somewhat autonomously, free from commercial and government influence. The BBC is ultimately responsible to its readers and listeners as well as to the [[BBC Trust]].
| + | Control rests with the 12-person BBC Trust, which replaced the Board of Governors in 2007. Trust members are paid and are appointed by the British prime minister and are supposed to represent the interests of a broad cross-section of the British listening and viewing public. Day-to-day management is handled by the board of management, headed by the director general; its members are appointed by the board of governors. |
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| | ==BBC News== | | ==BBC News== |
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| | Special programs were directed to peoples controlled by the Nazis; listening to the short-wave broadcasts was illegal but widespread. The German-language Austrian Service was directed by Patrick Smith, who emphasized the 'separateness' of Austria from Germany and on 'freedom and independence' as the Austrian goal. As victory approached the BBC stressed the need for Austrians themselves to take part in their own liberation. There were interviews with Austrian prisoners of war held in Britain. | | Special programs were directed to peoples controlled by the Nazis; listening to the short-wave broadcasts was illegal but widespread. The German-language Austrian Service was directed by Patrick Smith, who emphasized the 'separateness' of Austria from Germany and on 'freedom and independence' as the Austrian goal. As victory approached the BBC stressed the need for Austrians themselves to take part in their own liberation. There were interviews with Austrian prisoners of war held in Britain. |
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| − | Until 1944, broadcasts by the BBC's Hungarian service avoided describing the plight of the Jews in Hungary for fear that it would create an anti-Semitic backlash against one of the few Jewish populations in Europe which, though persecuted, was still allowed to live. Shortly after the Nazi occupation of Hungary in March 1944 the rounding up and deporting of Jews to death camps began. For the next four months, until Hungarian regent Horthy suspended the deportations, the Hungarian service repeatedly broadcast news of the deportation of Jews and urged Hungarians to obstruct, delay, and hinder the deportations in the name of humanity and Hungarian patriotism. Altering BBC Hungarian service policies regarding the Final Solution would perhaps have done little to slow the [[Holocaust]] in Hungary.<ref> Gabriel Milland, "The BBC Hungarian Service and the Final Solution in Hungary," ''Historical Journal of Film, Radio and Television'' 1998 18(3): 353-373 online in [[EBSCO]]</ref> | + | Until 1944, broadcasts by the BBC's Hungarian service avoided describing the plight of the Jews in Hungary for fear that it would create an anti-Semitic backlash against one of the few Jewish populations in Europe which, though persecuted, was still allowed to live. Shortly after the Nazi occupation of Hungary in March 1944 the rounding up and deporting of Jews to death camps began. For the next four months, until Hungarian regent Horthy suspended the deportations, the Hungarian service repeatedly broadcast news of the deportation of Jews and urged Hungarians to obstruct, delay, and hinder the deportations in the name of humanity and Hungarian patriotism. Altering BBC Hungarian service policies regarding the Final Solution would perhaps have done little to slow the [[Holocaust]] in Hungary.<ref> Gabriel Milland, "The BBC Hungarian Service and the Final Solution in Hungary," ''Historical Journal of Film, Radio and Television'' 1998 18(3): 353-373 online in [[EBSCO]]</ref> The BBC Home Service rarely mentioned the massacre of Jews for many reasons, including the restraints formally imposed by a government at war, the notions that such reports simply would not be believed (or, being incomprehensible, written off as propaganda) or might spur a latent anti-Semitism, and the fact that people were not interested in gloomy stories but wanted to hear about the war effort.<ref>Jeremy D. Harris, "Broadcasting the Massacres: an Analysis of the BBC's Contemporary Coverage of the Holocaust." ''Yad Vashem Studies'' 1996 25: 65-98 </ref> |
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| | ===Cultural Impact=== | | ===Cultural Impact=== |
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| | 'Children's Hour', begun in the late 1920s, was intended as a medium for democracy and the production of exemplary citizens through the dissemination of idealized middle-class values. In time, this approach proved to be out of touch with the listening habits and working class context of many 'Children's Hour' listeners. | | 'Children's Hour', begun in the late 1920s, was intended as a medium for democracy and the production of exemplary citizens through the dissemination of idealized middle-class values. In time, this approach proved to be out of touch with the listening habits and working class context of many 'Children's Hour' listeners. |
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| | + | Music broadcasts for schools were begun in 1924, and did much to disseminate new ideas, especially through 'music and movement' programs and the enormously popular 'Singing Together' during the Second World War. However, the more formal programs, designed to teach the rudiments of music and notation, were less successful, and Sir Walford Davies's idea of tune building by children was abandoned in 1934. Radio's ability to teach music formally appeared severely limited, and serious doubts as to its precise function in relationship to music teachers were constantly voiced and never answered.<ref>Gordon Cox, "School Music Broadcasts and the BBC 1924-47," ''History of Education'' 1996 25(4): 363-371 online in [[EBSCO]]</ref> |
| | Since the late 1970s the BBC, while exposed to high volumes and variable quality of competition, has remained popular with the British public and its cultural influence is still a major force. The BBC is considered the default choice by many when viewing major events such as breaking news or state occasions, even though competitors may be broadcasting the same content. | | Since the late 1970s the BBC, while exposed to high volumes and variable quality of competition, has remained popular with the British public and its cultural influence is still a major force. The BBC is considered the default choice by many when viewing major events such as breaking news or state occasions, even though competitors may be broadcasting the same content. |
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