Changes

==Reputation==

==Reputation==

[[File:USCellular1.jpg|thumb|left|U.S. Cellular Field. Home of Chicago White Sox.]]

[[File:USCellular1.jpg|thumb|left|U.S. Cellular Field. Home of Chicago White Sox.]]

Journalists, novelists and poets shaped Chicago's national and international reputation.  Images and representations are important means by which the city is known and negotiated. During the years of rapid urbanization 1890-1930 the numerous daily newspapers presented the most important and pervasive word versions of the city. Among the significant innovations of Chicago's newspapers in these years that shaped the idea of the city was the emergence of the local color columnist. Groeninger (2005) examines the role of columnists in Chicago newspapers in creating a "city of the mind." After a review of the literature on images of cities, the relationship of newspapers to modern city life in the thought of Robert Park, and the world of Chicago's newspapers at the turn-of-the-century, detailed studies of a number of the most important columnists of the era follow. [[George Ade]]'s column of the 1890s in the ''Daily News'', "Stories of the Streets and of the Town," presented a view of Chicago from the perspective of migrants from the small towns of the Midwest. In the same decade [[Finley Peter Dunne]]'s column in the ''Evening Post'', featuring the fictional Irish barkeeper, Mr. Dooley, offered readers a literary version of the Irish working-class neighborhood of Bridgeport. [[Ring Lardner]]'s ''Tribune'' sports column of the teens, "In the Wake of the News," satirized not only Chicagoans obsession with sports, but also the middle-class culture of opera, musical theater, and the newspaper itself. Several columns in the black newspaper, ''The Whip'', offered images of Bronzeville in the 1920s that both reflected and helped shape the experience of African-Americans on the South Side of Chicago. [[Ben Hecht]]'s "1001 Afternoons in Chicago" column in the ''Daily News'' expressed a new, anti-Victorian sensibility in the post-war era, but his most enduring contributions to the image of Chicago were on the stage and in the new medium of film. The columnists who wrote about everyday life in the city were the most distinctive and powerful newspaper voices in shaping the idea of Chicago and the civic personality of the city itself.<ref> David V. Groeninger, "Chicago Imagined: The Role of Newspaper Columnists in Creating a City of the Mind, 1890-1930."  PhD dissertation Loyola U., Chicago 2005. 280 pp.  DAI 2005 66(5): 1925-A. DA3175764  Fulltext: [[ProQuest Dissertations & Theses]]. See also  Sarah Susan Marcus, "Up from the Prairie: Depictions of Chicago and the Middle West in Popular Culture, 1865-1983."  PhD dissertation U. of Wisconsin, Madison 2001. 445 pp.  DAI 2001 62(4): 1554-1555-A. DA3012550  Fulltext: [[ProQuest Dissertations & Theses]]</ref> Often referred to as the "Windy City", many people mistake that saying for the weather. It actually refers to the chatter of deal-making among Chicago politicians, the wind being talk.

Journalists, novelists and poets shaped Chicago's national and international reputation.  Images and representations are important means by which the city is known and negotiated. During the years of rapid urbanization 1890-1930 the numerous daily newspapers presented the most important and pervasive word versions of the city. Among the significant innovations of Chicago's newspapers in these years that shaped the idea of the city was the emergence of the local color columnist. Groeninger (2005) examines the role of columnists in Chicago newspapers in creating a "city of the mind." After a review of the literature on images of cities, the relationship of newspapers to modern city life in the thought of Robert Park, and the world of Chicago's newspapers at the turn-of-the-century, detailed studies of a number of the most important columnists of the era follow. [[George Ade]]'s column of the 1890s in the ''Daily News'', "Stories of the Streets and of the Town," presented a view of Chicago from the perspective of migrants from the small towns of the Midwest. In the same decade [[Finley Peter Dunne]]'s column in the ''Evening Post'', featuring the fictional Irish barkeeper, Mr. Dooley, offered readers a literary version of the Irish working-class neighborhood of Bridgeport. [[Ring Lardner]]'s ''Tribune'' sports column of the teens, "In the Wake of the News," satirized not only Chicagoans obsession with sports, but also the middle-class culture of opera, musical theater, and the newspaper itself. Several columns in the black newspaper, ''The Whip'', offered images of Bronzeville in the 1920s that both reflected and helped shape the experience of African-Americans on the South Side of Chicago. [[Ben Hecht]]'s "1001 Afternoons in Chicago" column in the ''Daily News'' expressed a new, anti-Victorian sensibility in the post-war era, but his most enduring contributions to the image of Chicago were on the stage and in the new medium of film. The columnists who wrote about everyday life in the city were the most distinctive and powerful newspaper voices in shaping the idea of Chicago and the civic personality of the city itself.<ref> David V. Groeninger, "Chicago Imagined: The Role of Newspaper Columnists in Creating a City of the Mind, 1890-1930."  PhD dissertation Loyola U., Chicago 2005. 280 pp.  DAI 2005 66(5): 1925-A. DA3175764  Fulltext: [[ProQuest Dissertations & Theses]]. See also  Sarah Susan Marcus, "Up from the Prairie: Depictions of Chicago and the Middle West in Popular Culture, 1865-1983."  PhD dissertation U. of Wisconsin, Madison 2001. 445 pp.  DAI 2001 62(4): 1554-1555-A. DA3012550  Fulltext: [[ProQuest Dissertations & Theses]]</ref> Often referred to as the "Windy City", many people mistake that saying for the weather. It actually refers to the chatter of deal-making among Chicago politicians, the wind being talk. Chicago was the United States' bid city for the 2016 Olympics, which ultimately were awarded to [[Rio de Janero]].

==See also==

==See also==