Changes

Linder (2001) examines 15th-century Church liturgy designed to generate support for the war effort against the Turks and to legitimize its aims. Two types of Contra Turcos Masses were used: masses converted to this function through the addition of appropriate three core prayers and complete dedicated masses. The most popular example of the first type was the triple prayer set originally established by Clement V as a Holy Land crusade liturgy and subsequently mobilized against the Turks. The second type is represented by nine different mass formularies that were introduced after the fall of Constantinople in 1453. Most surviving liturgies are of German or French provenance, indicating extensive use not only among the front-line populations but also in areas far removed from any threat. The liturgy displays an its intense crisis rhetoric. Its predominant stance of vulnerability and defensiveness entailed aggressive mobilization and the conceptualization of the Turk as the actual, specific manifestation of the generic infidel, the competing religious Other; and the remarkable continuity - in form and in content - that linked this liturgy with its parent liturgies (mainly those of the campaigns against the pagans and the Holy Land Crusades) further accentuated these traits. The communicative function and value of this liturgy is highlighted by the concentration of the direct, unmediated communicative elements in that part of the mass that was the most accessible to the laity.<ref> Amnon Linder, "The War Liturgy Against the Turks in the Late Middle Ages." ''Historia: Journal of the Historical Society of Israel'' . 2001 (8): 73-105. Issn: 0334-4843; the text is in Hebrew. </ref>

Linder (2001) examines 15th-century Church liturgy designed to generate support for the war effort against the Turks and to legitimize its aims. Two types of Contra Turcos Masses were used: masses converted to this function through the addition of appropriate three core prayers and complete dedicated masses. The most popular example of the first type was the triple prayer set originally established by Clement V as a Holy Land crusade liturgy and subsequently mobilized against the Turks. The second type is represented by nine different mass formularies that were introduced after the fall of Constantinople in 1453. Most surviving liturgies are of German or French provenance, indicating extensive use not only among the front-line populations but also in areas far removed from any threat. The liturgy displays an its intense crisis rhetoric. Its predominant stance of vulnerability and defensiveness entailed aggressive mobilization and the conceptualization of the Turk as the actual, specific manifestation of the generic infidel, the competing religious Other; and the remarkable continuity - in form and in content - that linked this liturgy with its parent liturgies (mainly those of the campaigns against the pagans and the Holy Land Crusades) further accentuated these traits. The communicative function and value of this liturgy is highlighted by the concentration of the direct, unmediated communicative elements in that part of the mass that was the most accessible to the laity.<ref> Amnon Linder, "The War Liturgy Against the Turks in the Late Middle Ages." ''Historia: Journal of the Historical Society of Israel'' . 2001 (8): 73-105. Issn: 0334-4843; the text is in Hebrew. </ref>

==Basic further reading==

==Basic further reading==