Difference between revisions of "Contemporary Landscape"
Jump to navigation
Jump to search
| Line 7: | Line 7: | ||
File:Burchfield Sultry Afternoon.jpg|Sultry Afternoon by Charles Burchfield, 1944. | File:Burchfield Sultry Afternoon.jpg|Sultry Afternoon by Charles Burchfield, 1944. | ||
File:Begovic Aspens, Spring.jpg|Aspens, Spring by Vojkan Begovic. | File:Begovic Aspens, Spring.jpg|Aspens, Spring by Vojkan Begovic. | ||
| − | + | File:Begovic - Bateaux dans le port.jpg|Bateaux dans le Port by Vojkan Begovic. | |
</gallery> | </gallery> | ||
</center> | </center> | ||
Revision as of 01:25, April 25, 2014
Contemporary Landscape
Cabin in noon sunlight by Charles Burchfield, 1925.
Sultry Afternoon by Charles Burchfield, 1944.
Aspens, Spring by Vojkan Begovic.
Bateaux dans le Port by Vojkan Begovic.
Some considered the landscape painting as obsolete but it still has strength and vigor as may be seen in this paintings.
In a sense, however, landscape never went away: It was just transformed into something unrecognizable, and has begun to emerge again in surprising places. The rise and fall of landscape painting tells an interesting story about art's relationship to the outside world over the last two centuries, and the ways the genre might be resurfacing today suggest just how unsettled our own relationship to nature has become." [1]
Landscape of Port Lligat by Salvador Dali, 1950.
Dr. Atl, Paisaje con volcanes.
Catalan Landscape (The Hunter) by Joan Miró, 1923-1924.
Tiepolo's Window by Ian Hornak, 1974.
Small Rhythmic Landscape by Paul Klee, ca. 1920.
