Difference between revisions of "Bartolomé Esteban Murillo"
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| − | '''Bartolomé Esteban Murillo''' (Seville, Spain ca.1617 - Seville, Spain 1682) [[Spanish]] [[Baroque]] painter. | + | [[Image:Murillo.jpg|thumb|right|Murillo - detail from his ''Self-portrait'' (1670-1672), National Gallery, London]] |
| + | '''Bartolomé Esteban Murillo''' (Seville, Spain, ca. 1617 - Seville, Spain, 1682) was a [[Spanish]] [[Baroque]] religious painter. To learn painting, he copied works by artists including [[Peter Paul Rubens]] and [[Antony van Dyck]]. Murillo mainly devoted himself to religious subjects; the Virgin theme alone was represented about twenty times by Murillo. He is one of the most famous painter of the [[Golden Age of Spanish Painting|Spanish Golden Age]] along with [[El Greco]], [[Diego Velazquez]], [[Francisco de Zurbarán]] and [[José de Ribera]]. Murillo had an important influence in America's Spanish colonies painting. Among his chief patrons were the religious orders, especially the Franciscans, and the confraternities in Sevilla (Seville) and Andalusia.<ref>[http://global.britannica.com/EBchecked/topic/398128/Bartolome-Esteban-Murillo Bartolomé Esteban Murillo.]</ref> | ||
| + | |||
| + | <blockquote> | ||
| + | Murillo was one of the most famous artists in all of Europe, far more famous even than Velázquez. Murillo's paintings were considered the triumph of the Spanish Baroque. He is best known as the painter of sweetness and light.<ref>[http://www.artble.com/artists/bartolome_esteban_murillo Bartolome Esteban Murillo.]</ref> | ||
| + | </blockquote> | ||
| − | + | <blockquote> | |
| + | In the 1650s a striking transformation of style occurred, usually attributed to a visit to Madrid, where Murillo undoubtedly met Velázquez and studied the works of [[Titian]], Rubens, and Van Dyck in the royal collections. The softly modeled forms, rich colours, and broad brushwork replaced his early realism and tenebrism (contrasting light and shade). [[Ibidem]] | ||
| + | </blockquote> | ||
| − | + | The [[Paul Getty Museum]] describes how "the market for Bartolomé Estebán Murillo's pictures was so large and lucrative that the [[king]] (of Spain) refused to allow their export from the country. In 1660 Murillo founded and served as president of the Seville Academy. Today, in Spain a good painting is called a Murillo." <ref>[http://www.getty.edu/art/gettyguide/artMakerDetails?maker=3009&page=1 Bartolomé Esteban Murillo] J. [[Paul Getty Museum]], Los Angeles.</ref> | |
| − | <br> | + | <br/> |
| − | [[Image:Murillo Inmaculada de El Escorial.jpg]] | + | [[Image:Murillo Inmaculada de El Escorial.jpg|thumb|200px|''Inmaculada Concepción de El Escorial'' (1660-1665), Museo del Prado, Madrid]] |
| − | + | == Gallery == | |
| − | < | + | <center> |
| − | == | + | <gallery perrow="5"> |
| + | File:Murillo, The Return of the Prodigal Son, 1667 1670.jpg|''The Return of the Prodigal Son'', 1667-1670, National Gallery of Art, Washington. | ||
| + | Image:Murillo The Vision of St. Francis of Paola.jpg|''The Vision of Saint Francis of Paola'' (c. 1670), The J. Paul Getty Museum, Los Angeles, California. | ||
| + | Image:Murillo La Asunción de la Virgen.jpg|''La Asunción de la Virgen'' (1670), The [[State Hermitage Museum|Hermitage]], St. Petersburg. | ||
| + | Image:Murillo Dolorosa.jpg|''Dolorosa'' (c. 1665), Museo de Bellas Artes de Sevilla. | ||
| + | File:MurilloThe Little Fruit Seller 1670 1675.jpg|''The Little Fruit Seller'' (c. 1670-1675), Alte Pinakothek, Munich. | ||
| + | </gallery> | ||
| + | <gallery widths="250px" heights="250px"> | ||
| + | Image:BEM-grapes.jpg|''Beggar Boys Eating Grapes and Melon'' (c. 1645-1655), Alte Pinakothek, Munich. | ||
| + | File:Murillo Two Women at a Window.jpg|''Two Women at a Window.'' ca. 1655/1660, National Gallery of Art, Washington, DC. | ||
| + | File:Murillo - Adoration of the Magi.jpg|Adoration of the Magi, 1655-1660, Toledo Museum of Art, Toledo, Ohio, United States. | ||
| + | </gallery> | ||
| + | |||
| + | [[File:Assumption of the Virgin Murillo.jpg|center]] | ||
| + | Assumption of the Virgin, ca. 1678, Museo del Prado. | ||
| + | </center> | ||
| + | == See also == | ||
| + | [[Image:Murillo Saint Michael Banishes the Devil to the Abyss.jpg|thumb|Saint Michael Banishes the Devil to the Abyss, (1665-1668), Kunsthistorisches Museum, Vienna.]] | ||
*[[Painting Masterpieces]] | *[[Painting Masterpieces]] | ||
*[[Painting Schools]] | *[[Painting Schools]] | ||
| + | *[[Francisco de Zurbarán]] | ||
| + | *[[Golden Age of Spanish Painting]] | ||
| + | *[[Mexican Painting]] | ||
== External links == | == External links == | ||
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*[http://www.purisimaconcepcion.agenciacatolica.com/modules/news/article.php?storyid=21 La Inmaculada y el arte] In Spanish. | *[http://www.purisimaconcepcion.agenciacatolica.com/modules/news/article.php?storyid=21 La Inmaculada y el arte] In Spanish. | ||
| − | + | [[File:Bartolome Esteban Murillo, The Holy Family, 1665-1670.jpg|thumb|left|The Holy Family, 1665-1670.]] | |
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== References == | == References == | ||
| + | <references/> | ||
| + | {{DEFAULTSORT:Murillo, Bartolome}} | ||
| − | + | [[Category:Spanish Painters]] | |
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| − | [[Category:Painters]] | + | |
Latest revision as of 21:53, May 12, 2017
Bartolomé Esteban Murillo (Seville, Spain, ca. 1617 - Seville, Spain, 1682) was a Spanish Baroque religious painter. To learn painting, he copied works by artists including Peter Paul Rubens and Antony van Dyck. Murillo mainly devoted himself to religious subjects; the Virgin theme alone was represented about twenty times by Murillo. He is one of the most famous painter of the Spanish Golden Age along with El Greco, Diego Velazquez, Francisco de Zurbarán and José de Ribera. Murillo had an important influence in America's Spanish colonies painting. Among his chief patrons were the religious orders, especially the Franciscans, and the confraternities in Sevilla (Seville) and Andalusia.[1]
Murillo was one of the most famous artists in all of Europe, far more famous even than Velázquez. Murillo's paintings were considered the triumph of the Spanish Baroque. He is best known as the painter of sweetness and light.[2]
In the 1650s a striking transformation of style occurred, usually attributed to a visit to Madrid, where Murillo undoubtedly met Velázquez and studied the works of Titian, Rubens, and Van Dyck in the royal collections. The softly modeled forms, rich colours, and broad brushwork replaced his early realism and tenebrism (contrasting light and shade). Ibidem
The Paul Getty Museum describes how "the market for Bartolomé Estebán Murillo's pictures was so large and lucrative that the king (of Spain) refused to allow their export from the country. In 1660 Murillo founded and served as president of the Seville Academy. Today, in Spain a good painting is called a Murillo." [3]
Contents
Gallery
The Return of the Prodigal Son, 1667-1670, National Gallery of Art, Washington.
The Vision of Saint Francis of Paola (c. 1670), The J. Paul Getty Museum, Los Angeles, California.
La Asunción de la Virgen (1670), The Hermitage, St. Petersburg.
Dolorosa (c. 1665), Museo de Bellas Artes de Sevilla.
The Little Fruit Seller (c. 1670-1675), Alte Pinakothek, Munich.
Beggar Boys Eating Grapes and Melon (c. 1645-1655), Alte Pinakothek, Munich.
Two Women at a Window. ca. 1655/1660, National Gallery of Art, Washington, DC.
Adoration of the Magi, 1655-1660, Toledo Museum of Art, Toledo, Ohio, United States.
Assumption of the Virgin, ca. 1678, Museo del Prado.
See also
- Painting Masterpieces
- Painting Schools
- Francisco de Zurbarán
- Golden Age of Spanish Painting
- Mexican Painting
External links
- Murillo at Artcyclopedia
- 7 works by Bartolome Esteban Murillo Fine Arts Museums of San Francisco.
- La Inmaculada y el arte In Spanish.
