Difference between revisions of "User:RobSmith"
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*[[Ravel]], [https://youtu.be/EXiH86tO_7c Daphnes et Chloe], Wilhelm Furtwangler 1944 restored. Comment: This magnetic tape recording was expropriated by the [[Red Army]] in 1945 and returned to Germany in 1986 as a gesture of good faith shortly before the [[Fall of the Berlin Wall]] when it first became publicly available in [[the West]]. It is one of the first orchestral magnetic tape recordings made. In later issues, Deutsche Gramaphone engineers have reduced some of the over modulation, however Furtwangler's unique interpretative qualities are ever present. | *[[Ravel]], [https://youtu.be/EXiH86tO_7c Daphnes et Chloe], Wilhelm Furtwangler 1944 restored. Comment: This magnetic tape recording was expropriated by the [[Red Army]] in 1945 and returned to Germany in 1986 as a gesture of good faith shortly before the [[Fall of the Berlin Wall]] when it first became publicly available in [[the West]]. It is one of the first orchestral magnetic tape recordings made. In later issues, Deutsche Gramaphone engineers have reduced some of the over modulation, however Furtwangler's unique interpretative qualities are ever present. | ||
*Waltraud Meier, [https://youtu.be/g_ReUpnz_Ng Die Walkure], as Sieglinde (genuine pirate recording). | *Waltraud Meier, [https://youtu.be/g_ReUpnz_Ng Die Walkure], as Sieglinde (genuine pirate recording). | ||
| + | *Richard Strauss, [https://youtu.be/mRsxE68_ahs Alpine Symphony], Yevgeny Mravinsky, Leningrad Philharmonic 1962. (augmented brass like no other recording). | ||
| + | *[[Tchaikovsky]], [https://youtu.be/x2tTfTVzD0M Symphony no. 6 "Pathétique" mvt 4], Mravinsky, Leningrad Philharmonic 1960. (sheer terrifying anger at fortissimo) | ||
| + | *Tchaikovsky, [https://youtu.be/HpvsrEezl7s Symphony no. 6 "Pathétique" mvt 4], Furtwangler, Berlin Philharmonic 1951 (good contrast to Mravinsky, particularly the closing bars) | ||
| + | *Zenon Kosmowski, [https://youtu.be/mso1H0LOLKY Wehevolles erbe]. (provincial theatre at its best). | ||
Revision as of 07:13, April 2, 2023
- Russia, Ukraine, and the Future World Order, Published online by Cambridge University Press: 27 October 2022
- Russia's invasion of Ukraine, initiated on February 24, 2022, is among the most—if not the most—significant shocks to the global order since World War II.
- Russia, Ukraine, and the Future World Order, Published online by Cambridge University Press: 27 October 2022
- I have contributed over 30 items to Conservapedia proven right since 2017, mostly on Russiagate, Coronavirus, and the NATO war in Ukraine.
| CP | ADMN |
Major portal pages I have worked on:
- Rossiya nami s i nami i bog.
- Homophobic horses
- LGB Community Theme Song
- The Legendary Somali Battalion
- Beautiful evening.
- Comey/Hillary Remix
- https://timetravel.mementoweb.org/
- The Great War of Continents
- The Fourth Political Theory
- Russian Code
- User:RobSmith/Nikolay Patrushev interview with ''Arguments and Facts'' 01/10/23
Favorite songs
- Pelageya, Werewolf Prince. (Official music video. Comment: This is what Russia will do to the NATO hordes. The warriors will turn into killer beasts, and unlike Pelegaye's other Cossack warrior songs who die in battle, the hero will return to his wife and become human again to raise his wolfcub sons and not suffer from a Big Pharma-invented disease like PTSD.)
- Grausamer, Waltraud Meier
- Jimi Hendrix, Voodoo Chile - performed by Nomos-Quartett (good rendition)
- Marina Grauman, concertmaster class with Noah Bendix-Balgley for Strauss' Heldenleben.
- Krzysztof Penderecki, Cello Concerto #2 (inspired by the Nazi invasion of Poland, 1939).
- Prokofiev, Romeo and Juliettt, World Orchestra
- Ravel, Daphnes et Chloe, Wilhelm Furtwangler 1944 restored. Comment: This magnetic tape recording was expropriated by the Red Army in 1945 and returned to Germany in 1986 as a gesture of good faith shortly before the Fall of the Berlin Wall when it first became publicly available in the West. It is one of the first orchestral magnetic tape recordings made. In later issues, Deutsche Gramaphone engineers have reduced some of the over modulation, however Furtwangler's unique interpretative qualities are ever present.
- Waltraud Meier, Die Walkure, as Sieglinde (genuine pirate recording).
- Richard Strauss, Alpine Symphony, Yevgeny Mravinsky, Leningrad Philharmonic 1962. (augmented brass like no other recording).
- Tchaikovsky, Symphony no. 6 "Pathétique" mvt 4, Mravinsky, Leningrad Philharmonic 1960. (sheer terrifying anger at fortissimo)
- Tchaikovsky, Symphony no. 6 "Pathétique" mvt 4, Furtwangler, Berlin Philharmonic 1951 (good contrast to Mravinsky, particularly the closing bars)
- Zenon Kosmowski, Wehevolles erbe. (provincial theatre at its best).