Difference between revisions of "Jose Clemente Orozco"

From Conservapedia
Jump to navigation Jump to search
Line 6: Line 6:
 
Social Realism painting is focused on social issues.
 
Social Realism painting is focused on social issues.
  
−
:: ''Artistically we admired Orozco's ability to invest his figures with tremendous emotion and anatomical volume by means of his non-academic treatment of the human figure.'' <ref>[http://www.dartmouth.edu/~library/Library_Bulletin/Apr1992/LB-A92-Levenson.html Orozco and Anglo-America]</ref>
+
:: ''Artistically we admired Orozco's ability to invest his figures with tremendous emotion and anatomical volume by means of his non-academic treatment of the human figure.'' <ref>[http://www.dartmouth.edu/~library/Library_Bulletin/Apr1992/LB-A92-Levenson.html Orozco and Anglo-America] ''by'' Sol Levenson</ref>
  
 
[[Image:Orozco - Juárez.jpg|200px|right|Juárez, La reforma y la caída del Imperio. 1934.]]
 
[[Image:Orozco - Juárez.jpg|200px|right|Juárez, La reforma y la caída del Imperio. 1934.]]

Revision as of 14:36, May 3, 2008

Mural de Hidalgo

José Clemente Orozco (Ciudad Guzmán 1883 - Mexico City 1949) was a Mexican Social Realist Muralist painter. Along with David Alfaro Siqueiros and Diego Rivera, Orozco was one of the most important artists in the Mexican mural movement. [1]

Between 1936 and 1939, Orozco painted the celebrated frescos: "The People and Its Leaders" and "Miguel Hidalgo". His best frescos are at the Guadalajara's Hospicio Cabañas, showing a historical panorama of Mexico. In 1948, he painted a huge portrait, "Juárez Reborn". Throughout his career, Orozco combined painting with drawing and lithography. With his political views, he was a superb cartoonist. As Rivera and Siqueiros, politicaly he was a leftist.

Social Realism painting is focused on social issues.

Artistically we admired Orozco's ability to invest his figures with tremendous emotion and anatomical volume by means of his non-academic treatment of the human figure. [2]
Juárez, La reforma y la caída del Imperio. 1934.


Hernán Cortés seen by José Clemente Orozco

See also

External links

References