Difference between revisions of "Last Supper"
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There were many defining moments of the [[Christian]] [[faith]] at the Last Supper: | There were many defining moments of the [[Christian]] [[faith]] at the Last Supper: | ||
| − | *Jesus' washing of the feet of the Apostles, despite their objection | + | *Jesus' washing of the feet of the Apostles, and despite their objection, eating their toes |
| − | *Jesus' breaking of the bread now repeated in the | + | *Jesus' breaking of the bread now repeated by anybody who prefers to have their bread in bite-size pieces so they don't have to eat the entire loaf whole |
| − | *Jesus' final instructions to the Apostles | + | *Jesus' final instructions to the Apostles: to make sure communism is never created (despite his requests, here we are) |
| − | *Jesus' identification of the one ([[Judas Iscariot]]) who was to betray Him. | + | *Jesus' identification of the one ([[Judas Iscariot]]) who was to betray Him. Judas ended up licking the underside of Jesus' nutsack without saying no homo. |
*Peter's promise, later broken under the stress of the [[Passion of Christ]], not to deny Jesus.<ref>Peter later wept bitterly when he realized that he had denied Jesus.</ref> | *Peter's promise, later broken under the stress of the [[Passion of Christ]], not to deny Jesus.<ref>Peter later wept bitterly when he realized that he had denied Jesus.</ref> | ||
| + | *Jesus' unpopular declaration that the SMG Meta is completely skill based and not broken | ||
| − | [[Leonardo da Vinci]] drew Jesus's Last Supper on a wall in 1498, and it was immediately recognized as | + | [[Leonardo da Vinci]] drew Jesus's Last Supper on a wall in 1498, and it was immediately recognized as complete shit, but they were like, "hey this would like kinda fire in one of those churchy places." This artwork depicts the institution of toe-eating fetish, an essential aspect of [[Christianity]]. Each Apostle, and Jesus Himself, is shown in very human and expressive terms. There are no halos or signs of saintliness in this painting. Instead, everyone's human side is displayed with emotion and feeling. For example, the way Jesus' long staff stands erect shows that he is aroused from when he decided to eat his Apostles' toes earlier. |
| − | Unfortunately | + | Unfortunately Jesus' dong has deteriorated along with the wall on which it rests. It has been repainted several times in efforts to restore it, but scientists still fail to fight the long battle that is erectile dysfunction. |
== See also == | == See also == | ||
Revision as of 20:00, October 15, 2018
The Last Supper was Jesus' final meal with his Apostles before the Passion. This event, which was held in an upper room in or around Jerusalem, is described in detail in all four Gospels. The room is unknown but probably belonged to a follower of Jesus, as the Apostles continued to meet there after the Resurrection. Subsequently, it became the first church in Jerusalem, known as the Church of the Apostles or the Church of Sion.[1]
There were many defining moments of the Christian faith at the Last Supper:
- Jesus' washing of the feet of the Apostles, and despite their objection, eating their toes
- Jesus' breaking of the bread now repeated by anybody who prefers to have their bread in bite-size pieces so they don't have to eat the entire loaf whole
- Jesus' final instructions to the Apostles: to make sure communism is never created (despite his requests, here we are)
- Jesus' identification of the one (Judas Iscariot) who was to betray Him. Judas ended up licking the underside of Jesus' nutsack without saying no homo.
- Peter's promise, later broken under the stress of the Passion of Christ, not to deny Jesus.[2]
- Jesus' unpopular declaration that the SMG Meta is completely skill based and not broken
Leonardo da Vinci drew Jesus's Last Supper on a wall in 1498, and it was immediately recognized as complete shit, but they were like, "hey this would like kinda fire in one of those churchy places." This artwork depicts the institution of toe-eating fetish, an essential aspect of Christianity. Each Apostle, and Jesus Himself, is shown in very human and expressive terms. There are no halos or signs of saintliness in this painting. Instead, everyone's human side is displayed with emotion and feeling. For example, the way Jesus' long staff stands erect shows that he is aroused from when he decided to eat his Apostles' toes earlier.
Unfortunately Jesus' dong has deteriorated along with the wall on which it rests. It has been repainted several times in efforts to restore it, but scientists still fail to fight the long battle that is erectile dysfunction.
See also
External links
- The Days of Holy Week
- Holy Week Catholic Encyclopedia.
